Fragment of a Relief with Three Clerics in the Clo…
Pulpit Relief with the Symbol of St. Luke in the C…
Romanesque Architectural Frieze in the Cloisters,…
Pair of Doors in the Cloisters, Sept. 2007
Drinking Bowl in the Cloisters, Sept. 2007
Ivory Plaque with St. John the Evangelist in the C…
Ivory Plaque with Saint Aemilianus in the Cloister…
Three Marys at the Holy Sepulcher Ivory Plaque in…
Ivory Plaque with Scenes of Christ and the Apostle…
Ivory Diptych with New Testament Scenes in the Clo…
Ivory Shrine with the Virgin and Child in the Cloi…
Relief with Saint Peter Martyr and Three Donors in…
Bursa Reliquary in the Cloisters, Sept. 2007
Reliquary Bust of St. Juliana in the Cloisters, Se…
Head in the Cloisters, Sept. 2007
Man of Sorrows Wall Painting in the Cloisters, Sep…
Saint Hubert and the Stag Relief in the Cloisters,…
Detail of the Pontaut Chapter House in the Cloiste…
Detail of the Pontaut Chapter House in the Cloiste…
Head (Perhaps of an Angel) in the Cloisters, Sept.…
Terracotta Enthroned Virgin in the Cloisters, Sept…
St. Christopher in the Cloisters, Sept. 2007
Detail of St. Christopher in the Cloisters, Sept.…
Portion of a Pilaster with an Acrobat in the Clois…
Fragment of a Figure in the Cloisters, Sept. 2007
Ivory Pyx in the Cloisters, Sept. 2007
Pieta in the Cloisters, Sept. 2007
Enthroned Virgin and Child in the Cloisters, Sept.…
Saint Barbara in the Cloisters, Sept. 2007
Pulpit Relief with the Annunciation in the Cloiste…
Seated Figure in the Cloisters, Sept. 2007
Sunset in Fort Tryon Park, Sept. 2007
Sunset in Fort Tryon Park, Sept. 2007
Conandil, Wilhelm, and Ysenda Dancing at the Fort…
Conandil and Wilhelm Dancing at the Fort Tryon Par…
Wilhelm, Ysenda, Conandil, and Margarita Dancing a…
Stilt Walker at the Fort Tryon Park Medieval Festi…
Rose Seller at the Fort Tryon Park Medieval Festiv…
The Greek Orthodox Church Booth at the Fort Tryon…
Belly Dancing at the Fort Tryon Park Medieval Fest…
King and Queen at the Fort Tryon Park Medieval Fes…
Belly Dancing at the Fort Tryon Park Medieval Fest…
Belly Dancing at the Fort Tryon Park Medieval Fest…
Belly Dancing at the Fort Tryon Park Medieval Fest…
Belly Dancing at the Fort Tryon Park Medieval Fest…
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Camel Wall Painting in the Cloisters, Sept. 2007


Wall Painting of a Camel, mid-12th century
From the hermitage of San Baudelio de Berlanga
Fresco transferred to canvas; 65 x 134 in. (165.1 x 340.3 cm)
The Cloisters Collection, 1961 (61.219)
The hermitage of San Baudelio de Berlanga was constructed in the beginning of the eleventh century at the heart of the frontier between Islamic and Christian lands. Its interior was transformed 150 years later with the addition of two cycles of vibrant wall paintings. The upper walls of the church were decorated with a series of scenes from the life of Christ, while the lower sections include boldly painted hunt scenes and images of animals, all of which derive from earlier Islamic objects.
Associated with aristocratic power and pursuits, the camel was a subject often seen on the courtly fine arts of the Umayyad caliphate and Ta’ifa monarchies. Islamic court art was known and admired by inhabitants of the Christian kingdoms for its costly materials and unparalleled craft. Though the Christians under Alfonso VII had definitively wrested Berlanga from Islamic forces in 1124, the paintings in the hermitage suggest that they continued to rely on Islamic motifs and the style of the Islamic court when seeking to create a luxurious setting.
Text from: www.metmuseum.org/toah/ho/07/eusi/ho_61.219.htm
From the hermitage of San Baudelio de Berlanga
Fresco transferred to canvas; 65 x 134 in. (165.1 x 340.3 cm)
The Cloisters Collection, 1961 (61.219)
The hermitage of San Baudelio de Berlanga was constructed in the beginning of the eleventh century at the heart of the frontier between Islamic and Christian lands. Its interior was transformed 150 years later with the addition of two cycles of vibrant wall paintings. The upper walls of the church were decorated with a series of scenes from the life of Christ, while the lower sections include boldly painted hunt scenes and images of animals, all of which derive from earlier Islamic objects.
Associated with aristocratic power and pursuits, the camel was a subject often seen on the courtly fine arts of the Umayyad caliphate and Ta’ifa monarchies. Islamic court art was known and admired by inhabitants of the Christian kingdoms for its costly materials and unparalleled craft. Though the Christians under Alfonso VII had definitively wrested Berlanga from Islamic forces in 1124, the paintings in the hermitage suggest that they continued to rely on Islamic motifs and the style of the Islamic court when seeking to create a luxurious setting.
Text from: www.metmuseum.org/toah/ho/07/eusi/ho_61.219.htm
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