
Where we once toiled
Views around "The Barn" at Noviodunum.
Where once we toiled (13)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (12)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (11)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (10)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (9)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (8)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (7)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (6)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (5)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (4)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (3)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (2)
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
Where once we toiled (1)
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|
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Various scenes from around 'the barn' at Noviodunum, Isaccea, a year after the end of the excavation.
Pentax LX, one of SMC Pentax 'K' series 28/3.5, 50/1.2 or 135/2.5. CHS ART 50 film, commercial dev and scan, tweaked in Lightroom 1.4.
The barn
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"The barn" at Noviodunum, Isaccea, Romania.
Pentax LX, Fuji Neopan 1600 film, Pentax 17mm fisheye lens.
Small finds here
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From the barn at Noviodunum, Romania.
Pentax LX, SMC 'K' 17mm fisheye lens, Fuji Neopan 1600 film.
Where there's tea, there's hope
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A scene from the barn, Noviodunum, Romania.
Pentax LX, Fuji Neopan 1600, probably my SMC 'K' 50mm f/1.2 lens.
Roman tile
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A stack of tegulae, (Roman roof tiles).
Pentax LX, Fuji Neopan 1600, probably my SMC 'K' 50mm f/1.2 lens.
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