Reading by candlelight in February 1990
Amused
Ottawa, 1990
Lemonade
Post
My parents on Memorial Day, 1990
The early show
Morning pickings
The S.S. Ethie
Neighbourly crow
Sun coming out but camera on wrong setting
One of each sort
Not Kertesz
Asking the neighbours to save the foxes
Tablelands tour, summer 1990
Goldie's got flash
An eighth of a second of the ISS
Tablelands at Gros Morne N.P., July 1990
Reflected in a window
Official post-prandial, All-Fools-Day/Easter Famil…
Radio listening, forty years ago
Gary pouring up home-brewed beer
Snowbird at our feeder
My parents at their garden
Summer 1989
Greystones
Milk Man
Sunset in June, when the West is very North
Ladder
Cuckhold's Cove and Quidi Vidi Gut, June 1989
Luna today
Snowbirds having a good time
Stairs
Moon at suppertime
Looking east, at suppertime three months ago
Flicker searching
Slick, trying to recreate a 1980s pop-music vibe
Paul Parsons, painter
Fred on World 127 Film Day film
Back of the hospital workshop
On and under the bridge
Television technology of the 1950s
World 126 Film Day
B on World 126 Film Day
RIP CKZN
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77 visits
Beach-rock wall


Back in early 1990, I was a little obsessed by the task of documenting
as many of the beach-rock (and river-rock) walls I could find in this
city. I eventually wrote a report that pointed out three separate
traditions of construction and aesthetics. This was one of the most
ornate walls and, at about sixty years of age at the time, it was
holding up pretty well. In fact, nearly thirty years later, it's still
in pretty good shape.
This was taken on a very good film of the time, Agfa 100, sold as Scot
100TI; I liked it at the time because it was a low-saturation,
long-dynamic-range, unlike all the popular films by Kodak and Fuji at
the time which boasted "high saturation" which translated for me into
short dynamic range. I was sorry when I could no longer buy the Agfa
film.
I am scanning my old negatives and I am finally at January 1990; I
scanned this one this evening. The conversion to b&w was in Paint Shop
Pro.
as many of the beach-rock (and river-rock) walls I could find in this
city. I eventually wrote a report that pointed out three separate
traditions of construction and aesthetics. This was one of the most
ornate walls and, at about sixty years of age at the time, it was
holding up pretty well. In fact, nearly thirty years later, it's still
in pretty good shape.
This was taken on a very good film of the time, Agfa 100, sold as Scot
100TI; I liked it at the time because it was a low-saturation,
long-dynamic-range, unlike all the popular films by Kodak and Fuji at
the time which boasted "high saturation" which translated for me into
short dynamic range. I was sorry when I could no longer buy the Agfa
film.
I am scanning my old negatives and I am finally at January 1990; I
scanned this one this evening. The conversion to b&w was in Paint Shop
Pro.
Lebojo has particularly liked this photo
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