Pholiota, maybe?
The out-of-focus-areas
Fakery
Learning how not to dry chanterelles
At the Vittorio Emanuele II memorial in Rome
Funicular tunnel
May 8th
Uno studio medico
Venice as the tourist sees it
Lake Como from the castello above Varenna
Tidy folds and poker faces
Her right thumb
The death of a horse (or a weasel) is a feast for…
Icy path
Parts of the flag
No laundry, no leaking
I love selfies -- other people's selfies
Impressed by ritual
First station
Procession between stations
Stations of the Cross, Varenna, Good Friday
Wall of Love Gums
Another view of Venice
Four assistants
End of roll
Gerry by 110
The close-up lens slid in
Autopak does doubles
The Minolta Autopak exposes well but user-failure…
Kit at work
Parking
The train of thought broken by the camera
Skaters
P debriefing
Steps
Dad at 86
Professor and student
Three of my colleagues
Which sparrow have I got?
Cat picture
David and Jim
Warm wind at the dam
Fence
Riders
Comparing cameras
See also...
Authorizations, license
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65 visits
Where I work


In the 1990s I was using my 1930s Voigtlander Bessa a lot more than I
do today. I especially liked putting transparency film through it
because the 6x9cm images were spectacular. These two frames were
taken in 1997 on Fuji Provia. They matched fairly nicely but the
right-hand one was somewhat lower than the left. So I cropped a lot
out and moved them together digitally. I left the join pretty
obvious, partly because I liked the natural vignetting of the Bessa.
They each represent about 60% of their original image.
The colour slides are very blue and I didn't like the muddiness of the
images. So I converted them to b&w and punched up the contrast.
This shows about half of the campus of the university I work at. I
work in the vertical-stripey building to the left of the join.
do today. I especially liked putting transparency film through it
because the 6x9cm images were spectacular. These two frames were
taken in 1997 on Fuji Provia. They matched fairly nicely but the
right-hand one was somewhat lower than the left. So I cropped a lot
out and moved them together digitally. I left the join pretty
obvious, partly because I liked the natural vignetting of the Bessa.
They each represent about 60% of their original image.
The colour slides are very blue and I didn't like the muddiness of the
images. So I converted them to b&w and punched up the contrast.
This shows about half of the campus of the university I work at. I
work in the vertical-stripey building to the left of the join.
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