Remind Me Again When Spring's Coming
Grand Ledge Opera House
Grand River
The Starlings Have Returned
Cardinal and Junco
And Tulips!
Farmyard, M-43
Pleasant Street
Portland Railroad Bridge
Fly Trap
An Island in the Stream
All Natural
Out for a Walk
I Think It's a Crabapple
A Little House on the Grand
Field with Haze
Willowglen
Sunfield Elevator
Spring's Equipment
Monday is Trash Day
Hey! They Survived the Freeze
Cochran from Saginaw, looking North
More Tulips on the Way
Bramble
A Home by the River
Nothing to See but Fog
Spring's Coming!
Trellis Up Close
The Library and the Post Office
The House Across the Tracks
Oreo Hates the Rain
The Second Little House on M-43
U.S. Post Office
Point Betsie Lighthouse
Not Every Experiment Works
Drama
Escapism
Hoytville, Michigan
All That Remains
Barn, Needmore Highway
Sunflower, past its prime
Snow on the Deck
The First Little House on M43
Common Redpoll
Windbreak
Location
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
You can copy the above to your favourite mapping app.
Address: unknown
Keywords
Way Past Its Prime


A year ago I wandered the yard, using my old and new Nikons to take pictures mostly of flowers. Daffodils, mainly; a few crocuses. And a couple pix of our long-expired Spirea branches, both obviously focus experiments. I posted one the next day, in color; here's the other pic, in black & white.
==========
Black & white's partly an attitude. Unlike my Cybershot, the D300 has a monochrome setting, so when I take a black & white photo using the big Nikon I see it as a black & white image in the camera's monitor. But the viewfinder's just a viewfinder, and what I see while I'm setting up the photograph is not monochrome. When I'm shooting monochrome I need to think about framing and contrast differently than when I shoot color, but my best camera gives me no assistance. But that was true with film, and I've long since made the appropriate mental adjustments.
Then I move the images to my Macbook Pro, where really strange things happen. I generally shoot RAW digital images, and in the Nikon NEF format b&w isjust a flag in the file header restricted to the embedded JPG. Apple's OSX ignores that flag monochrome image, and immediately shows me the image in color. Photoshop Elements takes the same approach. Bibble Pro's method is quite odd: It momentarily shows me the photo in black and white, then converts it reverts to a color image. So my first post-processing step is to convert the photographs back to black and white. Bibble (now Corel After Shot Pro, though I've not upgraded) gives me a choice of methods, and my preferences have changed since last March.
Regardless: All this back-and-forth conversion completely destroys any notion that my black & whites are SOOC. Not that I really care; I've never pretended I don't process my pix.
For the record, both the spirea branch (above) and the daffodil (below in the comment) use Bibble Pro's bundled Andrea plugin filters intended to duplicate (imitate?) pix photographed on FujiFilm Neopan 400 and printed on Kodak Polymax II. It's a Bibble combination I use quite regularly. It's been so long since I did real darkroom work that I can't vouch for the "realism" of Andrea's imitations.
==========
This photograph is an outtake from my 2012 photo-a-day project, 366 Snaps.
Number of project photos taken: 14
Title of "roll:" Flowers
Other photos taken on 3/18/2012: I shot twelve pix--essentially the same ones--with the V1, and called that folder "Garden."
==========
Black & white's partly an attitude. Unlike my Cybershot, the D300 has a monochrome setting, so when I take a black & white photo using the big Nikon I see it as a black & white image in the camera's monitor. But the viewfinder's just a viewfinder, and what I see while I'm setting up the photograph is not monochrome. When I'm shooting monochrome I need to think about framing and contrast differently than when I shoot color, but my best camera gives me no assistance. But that was true with film, and I've long since made the appropriate mental adjustments.
Then I move the images to my Macbook Pro, where really strange things happen. I generally shoot RAW digital images, and in the Nikon NEF format b&w is
Regardless: All this back-and-forth conversion completely destroys any notion that my black & whites are SOOC. Not that I really care; I've never pretended I don't process my pix.
For the record, both the spirea branch (above) and the daffodil (below in the comment) use Bibble Pro's bundled Andrea plugin filters intended to duplicate (imitate?) pix photographed on FujiFilm Neopan 400 and printed on Kodak Polymax II. It's a Bibble combination I use quite regularly. It's been so long since I did real darkroom work that I can't vouch for the "realism" of Andrea's imitations.
==========
This photograph is an outtake from my 2012 photo-a-day project, 366 Snaps.
Number of project photos taken: 14
Title of "roll:" Flowers
Other photos taken on 3/18/2012: I shot twelve pix--essentially the same ones--with the V1, and called that folder "Garden."
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
This part is very valid ............. " When I'm shooting monochrome I need to think about framing and contrast differently than when I shoot color, ........"
But I still find B&W hard to deal with for 98% of photos taken with it.... That said... the other 2% are breathtaking and perfect.
And I'm reasonably sure that we don't need to agree on this. Got a friend who insists that such disagreements are the reason our economy works.
Sign-in to write a comment.