Grape-leaf paper wasp
Formicidal composition
Botanical sensuality
Here be seeds
Stamen! Put that pistil down!
Extremely tiny flowers.
Honeysuckle
The flower that blooms in the spring, tra la
Small but pretty
Ant nursery
Product shot
Not everyone's favorite
The first part of the ritual . . .
Picture made by mistaken impression
Identified Flying Object
Unidentified Flying Object
Luminosity ominousity
Real or imitation?
Our front lines of air defense
It's this, fracking, or living in mud huts
Semi-symmetry
Bumble bee and pink clover
Bumble bee and pink clover, closer
A wood roach
Spring, when a young insect's fancy turns to . . .
Flake-of-paint moth
Weird fungus
The Sacrament of Holy Orders
Alas.
Powerplant at night
Not often seen . . .
Luna moth
There's a road under there!
And now, without a paddle
Slideshow: Triduum-2014
Behold, and venerate, the wood of the Cross
John Sebastian tells a story
Happy Traum
John Sebastian
Larry Campbell
John Sebastian plays harmonica
The glory of the GIMP
Miss Kitty
Rosary
Fixer-upper in a rustic setting
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A yellow jacket at work


Macro in the wild is not as easy as shooting under conditions where one has control of lighting and subject -- but if you can get decent pictures where you don't have control, you can surely get great ones where you do (something not always understood, alas). This morning I was out playing around with the 105mm f2.8 Micro-Nikkor (the manual-focus one) on a D7100. I've concluded that the only way to shoot this combination is on full manual, with the camera choosing the ISO. Depth of field requires at least f11, and the magnification of camera and subject movement require a higher shutter speed than aperture-priority would allow. This was shot at 1/200 and f16, which came out to be ISO 250. I would gladly have swapped a stop of ISO in exchange for 1/500 -- so I learned something from the experiment. That having been said, I love this lens!
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