Luisa Tetrazzini AUTOGRAPHED
Georges Imbart de La Tour
Georges Imbart de La Tour
Pol Plancon
Emmi Leisner
Emilie Herzog
Emilie Herzog
Ottilie Metzger-Froitzheim
Elena Gerhardt
Elena Gerhardt
Elena Gerhardt
Elena Gerhardt
Leon Melchissedec , Marie Daram & Henry Sellier…
Henri Albers by Reutlinger
Unknown by Martin Honscheidt
Mathilde Auguez By Reutlinger
Rose Caron by Benque
Albert Alvarez by Benque
Albert Alvarez by Bary
Amadeo Bassi by Mishkin
Jean Francois Delmas by Deguy
Jean Francois Delmas by Deguy
Margurite Carre By Paul Berger
Numa Auguez by Geruzet Freres
Adele Isaac by Benque
Ignacy Dygus
Rosa Bosman
Henri Danges
Yelena Tsvetkova
Maggie Teyte
Louis (Andre) Allard
Katherina Senger-Bettaque
Luisa Tetrazzini
Luisa Tetrazzini
Luisa Tetrazzini
Luisa Tetrazzini
Luisa Tetrazzini
Henry Laskin
Helene Demellier
Paul Seveilhac
Thomas Salignac
Thomas Salignac
La Boheme
Mafalda Salvatini
Juliette Bilbaut-Vauchelet
See also...
Jean-Baptiste Faure by Mulnier , Mayer and Pierson


as Mephistofeles 'Faust" Gounod
JEAN-BAPTISTE FAURE (15 January 1830 – 9 November 1914)French operatic baritone
Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.
He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as Her Majesty's Theatre and the Theatre Royal, Drury Lane.
Among the many operas in which he appeared in Paris were Wolfgang Amadeus Mozart's Don Giovanni as well as L'étoile du nord, Les Huguenots and La favorite.
He also made history by creating several important operatic roles written by such prominent composers as Giacomo Meyerbeer, Giuseppe Verdi and Ambroise Thomas. They included the leading baritone parts in L'Africaine, Don Carlos and Hamlet (in 1865, 1867, and 1868 respectively).
His last stage appearances are recorded as taking place in Marseilles and Vichy in 1886.
JEAN-BAPTISTE FAURE (15 January 1830 – 9 November 1914)French operatic baritone
Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's Galathée. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's Le chalet and Michel in Thomas's Le caïd. During this time he also created the Marquis d'Erigny in Auber's Manon Lescaut (1856) and Hoël in Meyerbeer's Le pardon de Ploërmel (1859; later known as Dinorah), among seven premieres at that house.
He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He would sing at the Opera every season until 1869 and then again in 1872-76 and 1878. In addition, he continued to perform off and on in London until 1877 at venues such as Her Majesty's Theatre and the Theatre Royal, Drury Lane.
Among the many operas in which he appeared in Paris were Wolfgang Amadeus Mozart's Don Giovanni as well as L'étoile du nord, Les Huguenots and La favorite.
He also made history by creating several important operatic roles written by such prominent composers as Giacomo Meyerbeer, Giuseppe Verdi and Ambroise Thomas. They included the leading baritone parts in L'Africaine, Don Carlos and Hamlet (in 1865, 1867, and 1868 respectively).
His last stage appearances are recorded as taking place in Marseilles and Vichy in 1886.
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