Katharina Klafsky by Pollock
Katharina Klafsky by Mora
Anna de La Grange by Sarony
Louise Homer by Aime Dupont
Louise Homer by Aime Dupont
Gaetano Fraschini by Trinquart
Caroline Salla by Nadar
Giovanni Zucchini by Bergamasco
Anna Maria Strandberg by Gosta Florman
Louise Theo by Gaston & Mathieu
Pierre-Marius Jourdan by Bureau
Jean-Louis Lasalle by Pierre Petit
Edith Clegg & Miriam Licette
Edith Clegg ,Frederick Ranalow and Miriam Licette
Louise Homer by Aime Dupont
Herman Jadlowker
Herman Jadlowker
Herman Jadlowker
Herman Jadlowker & Lilly Hafgren-Waag
Lilly Hafgren-Waag
Adelaide Phillips by Sarony
Josefine Reinl by Sarony
Guillaume Albert Lubert by Aime Dupont
Fanny Moody Manners AUTOGRAPHED
Heinz Kraayvanger AUTOGRAPHED
Bella Paalen AUTOGRAPHED
Geneviève Vix AUTOGRAPHED
Alfred Von Bary
Alfred Von Bary
Alfred Von Bary
Alfred Von Bary
Elsa Stralia AUTOGRAPHED
Edward LLoyd AUTOGRAPHED
Erika Wedekind
Erika Wedekind
Erika Wedekind
Richard Tauber
Richard Tauber
Dolly Castles AUTOGRAPHED
Dolly Castles
Theodor Reichmann
Theodor Reichmann
Adolf Fischer
Adolf Fischer
Madame Charles Cahier
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Caroline Bettelheim by Adele


Karoline Bettelheim as Selica in L'Africaine by Giacomo Meyerbeer
Karoline von Gompertz-Bettelheim
(1845-1925);
Hungarian mezzo-soprano/contralto
Studied pianoforte with Karl Goldmark, and singing with Moritz Laufer. At the age of 14, she made her début as a pianist, and two years later appeared for the first time in opera at Vienna. She eventually obtained a permanent engagement at the Royal Opera in that city. In 1861 she made her debut as Priestess in Gluck’s “Iphigenie auf Tauris” at Vienna. She was one of the leading singers at the Vienna “Hofoper” but she had a very short career. In 1867 she married businessman Julius Ritter von Gompertz and retired from the stage. She continued singing at concerts in London, Frankfurt a.M., Leipzig, Aachen and Vienna. She was a famous interpretor of the “Lieder” of Johannes Brahms.
Karoline von Gompertz-Bettelheim
(1845-1925);
Hungarian mezzo-soprano/contralto
Studied pianoforte with Karl Goldmark, and singing with Moritz Laufer. At the age of 14, she made her début as a pianist, and two years later appeared for the first time in opera at Vienna. She eventually obtained a permanent engagement at the Royal Opera in that city. In 1861 she made her debut as Priestess in Gluck’s “Iphigenie auf Tauris” at Vienna. She was one of the leading singers at the Vienna “Hofoper” but she had a very short career. In 1867 she married businessman Julius Ritter von Gompertz and retired from the stage. She continued singing at concerts in London, Frankfurt a.M., Leipzig, Aachen and Vienna. She was a famous interpretor of the “Lieder” of Johannes Brahms.
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