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Birmingham Music Festival 1861 by Joseph Whitlock
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Anna Maria Klemming by Unknown
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Albert Niemann by unknown
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Minnie Hauk by Unknown (2)
Minnie Hauk by London Stereoscopic (9)
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Hortense Schneider by Disderi
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Angelo Masini by Unknown
Marie Miolan-Carvahlo by Cremiere
Marie Miolan-Carvahlo by Pierre Petit
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Enrico Tamberlick by Mayer & Pierson
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Marie Roze by Mulnier
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Medea Mei Figner by Russian Studio
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Giulia Grisi by Disderi
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Jenny Lind by Unknown
Annie Louise Cary by Unknown (2)
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Sperenza Engally by Reutlinger


SPERANZA ENGALLY
(Nadezhda Engallytschew)
1850-
Russian Mezzo Soprano
Singer who had her career mainly in Paris with short engagements at the Théâtre-Italien, Théâtre-Lyrique, Opéra-Comique (debut 1878) and the Grand Opéra (debut 1882 as Amneris in “Aïda”). In 1876 she created the role of Méala in Massé's "Paul et Virginie" and in 1880 the role of Simone in the opera "Jean de Nivelle" by Delibes.
She had her greatest success in 1876 at the Théâtre de la Gaîté as Marpha in the opera “Dimitri” by composer Victorien de Joncières.
(Nadezhda Engallytschew)
1850-
Russian Mezzo Soprano
Singer who had her career mainly in Paris with short engagements at the Théâtre-Italien, Théâtre-Lyrique, Opéra-Comique (debut 1878) and the Grand Opéra (debut 1882 as Amneris in “Aïda”). In 1876 she created the role of Méala in Massé's "Paul et Virginie" and in 1880 the role of Simone in the opera "Jean de Nivelle" by Delibes.
She had her greatest success in 1876 at the Théâtre de la Gaîté as Marpha in the opera “Dimitri” by composer Victorien de Joncières.
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