Angelo Masini by Unknown
Cecile Ritter by Liebert
Sperenza Engally by Reutlinger
Pauline Lauters- Gueymard by Reutlinger
Gabrielle Krauss by Reutlinger
Marie Faivre by Bingham
Celestine Galli-Marie by Reutlinger
Victoria Balfe by Mayall
Karl Formes by Unknown
Italo Campanini by Mora
Marie Cabel by Pierre Petit
Birmingham Music Festival 1861 by Joseph Whitlock
Operatic Prima Donna's by Ashford Bros
Anna Maria Klemming by Unknown
Anna Maria Klemming by Unknown
Bianca Bianchi by Unknown
Ernesto Niccolini by Kriziwanek
Albert Niemann by unknown
Gustav Walter by Luckhardt
Minnie Hauk by Unknown (2)
Minnie Hauk by London Stereoscopic (9)
Eugene Massol by Disderi
Emma Eames by Falk
Marie Miolan-Carvahlo by Pierre Petit
Pedro Gailhardt by Reutlinger
Jean Lasalle by Pierre Petit
Carlotta Patti by Reutlinger (8)
Carlotta Patti by Sarony (7)
Enrico Tamberlick by Mayer & Pierson
Marie Roze by Mulnier
Marie Roze by Mulnier
Marie Roze by Rocher
Karl Scheidemantel by Hanfstaengl
Leonid Sobinov by Wezenburg
Nikoli Figner by Burgerl
Medea Mei Figner by Russian Studio
Mario by Disderi
Giulia Grisi by Disderi REVERSE
Giulia Grisi by Disderi
Helen Lemmens Sherrington By Artelier
Jenny Lind by Unknown
Annie Louise Cary by Unknown (2)
Annie Louise Cary by Sarony (3)
Marietta Alboni by Disderi
Marietta Alboni by Unknown
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
404 visits
Marie Miolan-Carvahlo by Cremiere


MARIE CAROLINE MIOLAN-CARVAHLO
(Marie Caroline Félix-Miolan)
31 December 1827, Marseille - 10 July 1895, Château-Puys, near Dieppe) French Soprano
Studied first with her father, François Félix-Miolan, an oboist, and later at the Paris Conservatory with Gilbert Duprez. She made her stage debut in Brest, as Isabelle in Le prophète, in 1849. The following year, she made her debut in Paris in the title role in Lucia di Lammermoor, later singing in Le Pré aux clercs, Les Huguenots, Der Freischütz, Hamlet, etc.
She appeared at the Théâtre Lyrique from 1856 to 1867, mostly in Mozart and Rossini roles, but also created there an estimated 30 roles, notably by Charles Gounod such as Marguerite in Faust, Baucis in Philémon et Baucis, the title role in Mireille and Juliette in Roméo et Juliette, but also Louis Clapisson's La Fanchonnette, Victor Massé's Les noces de Jeanette, Ambroise Thomas's La cour de Célimène.
She made frequent guest appearances at the Royal Opera House in London (1859–72), also appearing in Berlin and Saint Petersburg. She retired from the stage in 1885, as Marguerite. After retirement, she taught singing in Paris.
(Marie Caroline Félix-Miolan)
31 December 1827, Marseille - 10 July 1895, Château-Puys, near Dieppe) French Soprano
Studied first with her father, François Félix-Miolan, an oboist, and later at the Paris Conservatory with Gilbert Duprez. She made her stage debut in Brest, as Isabelle in Le prophète, in 1849. The following year, she made her debut in Paris in the title role in Lucia di Lammermoor, later singing in Le Pré aux clercs, Les Huguenots, Der Freischütz, Hamlet, etc.
She appeared at the Théâtre Lyrique from 1856 to 1867, mostly in Mozart and Rossini roles, but also created there an estimated 30 roles, notably by Charles Gounod such as Marguerite in Faust, Baucis in Philémon et Baucis, the title role in Mireille and Juliette in Roméo et Juliette, but also Louis Clapisson's La Fanchonnette, Victor Massé's Les noces de Jeanette, Ambroise Thomas's La cour de Célimène.
She made frequent guest appearances at the Royal Opera House in London (1859–72), also appearing in Berlin and Saint Petersburg. She retired from the stage in 1885, as Marguerite. After retirement, she taught singing in Paris.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.