Achille- Felix Montaubry by Numa Fils
Enrico Tamberlick by Mayer & Pierson
Victor Capoul by Reutlinger
Theodor Wachtel by Sarony
Marie Roze by Mora
Paola Marie by Mora
Rosina Penco by Disderi
Theatre Italian by Disderi
Clementine Schuch-Proska by Hanfstaengl
Adelina Patti by Reutlinger (8)
Zare Thalberg by london Stereoscopic Co
Enrico Tamberlick by Clarkington
Caroline Van den Heuvel-Duprez by Cremiere
Alfred Galland by Disderi
Jenny Lind by Mathius Hansen
Pauline Lucca by Rockwood
Pauline Lucca by Disderi
Minnie Hauk By Luckhardt (7)
Minnie Hauk By Luckhardt (8)
Pauline Lucca by Luckhardt
Theodor Formes by Unknown
Carlotta Marchisio by unknown (Disderi Image)
Italo Campanini by London Stereoscopic
Agostino Susini & Isabella Hinckley by Brady
Eugénie Clémentine Elisa DURIÉ by Unknown
Marie Geistinger By Unknown
Marie Litta by The Rocher Studios
David Bispham by Aime Dupont
Millot by Unknown
Mathilde Phillips by Reichmann & Co
Edward Lloyd by Alexander Bassano
Caroline Lefebvre-Faure by Disderi (REVERSE)
Caroline Lefebvre-Faure by Disderi
Marie Miolan-Carvalho by Reutlinger
Victor Capoul by Mulnier
Jenny Lind by Petit & Trinquart
Marie Julie Baretti by Trinquart
Zoe Belia By Numa Blanc
Louis Émile Wartel by unknown
Victor Warot by Disderi
Marie Cico by Reutlinger
Marie Cico by Reutlinger
Marie Cico by Numa Blanc
Marie Desclauzas by Reutlinger
Alexandrine Marie Mercier by Disderi
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Pasquale Brignoli ???? by Disderi


PASQUALE BRIGNOLI ??????
(b. Naples, Italy, 1824; d. New York City, 30 October 1884)
Italian-born American tenor.
His operatic debut was in Paris in Rossini's Mosè in Egitto but he needed training and so he entered the Paris Conservatoire. After a period of study, he appeared in L'elisir d'amore in the role of Nemorino at the Theatre des Italiens. He is also recorded as having sung at the Paris Opera in 1854
he came to the United States with Maurice Strakosch in 1855, and soon attained a popularity that lasted almost to the end of his life. His American debut was as Edgardo in Lucia di Lammermoor (1855) and soon thereafter he sang Manrico in the first American production of Il Trovatore (1855). Other permière American performances in which he appeared were La Traviata (1856), I vespri siciliani (1859) and Un ballo in maschera (1861), conducted by Brignoli's friend, Emanuele Muzio at the New York Academy of Music, as well as Luigi Arditi's La Spia (1855) and Betly (1861) at the Philadelphia Academy of Music. Brignoli's first appearance in Boston was in 1855, as Gennaro in Lucrezia Borgia.
(b. Naples, Italy, 1824; d. New York City, 30 October 1884)
Italian-born American tenor.
His operatic debut was in Paris in Rossini's Mosè in Egitto but he needed training and so he entered the Paris Conservatoire. After a period of study, he appeared in L'elisir d'amore in the role of Nemorino at the Theatre des Italiens. He is also recorded as having sung at the Paris Opera in 1854
he came to the United States with Maurice Strakosch in 1855, and soon attained a popularity that lasted almost to the end of his life. His American debut was as Edgardo in Lucia di Lammermoor (1855) and soon thereafter he sang Manrico in the first American production of Il Trovatore (1855). Other permière American performances in which he appeared were La Traviata (1856), I vespri siciliani (1859) and Un ballo in maschera (1861), conducted by Brignoli's friend, Emanuele Muzio at the New York Academy of Music, as well as Luigi Arditi's La Spia (1855) and Betly (1861) at the Philadelphia Academy of Music. Brignoli's first appearance in Boston was in 1855, as Gennaro in Lucrezia Borgia.
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