Euphrosyne Parepa-Rosa by Warren
Adelina Patti by Davis (7)
Céline Anna van Ghell by Vauvray
Gioachino Rossini by Charlet & Jacotin
Charlotte Sainton-Dolby by Bennett
Adelaide Borghi-Mamo by Desmaisons
Guiseppe Verdi by Desmaisons
Matilde Sessi By Dupont
Marie Desclauzas By Reutlinger
Jeanette Ludwig by Schloss
Minona Frieb-Blumauer by Unknown
Rose Deschamps by Ladrey
Coralie Brache by Reutlinger
Emma Fursch-Madi by Falk
Clara Louise Kellogg by Gurney
Christine Nilsson by Unknown (14)
J G Peaks by Warren
Berthe Thibault by Gougenheim & Forest
Frank Damrosch by Rockwood
Pierre Jules Michot by Trinquart
Alexandrine Marie Mercier by Disderi
Marie Desclauzas by Reutlinger
Marie Cico by Numa Blanc
Marguerite Priola by Maunoury
Nina Friede by Photography of Imperial Theatres in…
Carlotta Patti by Reutlinger (4)
Christine Nilsson by Reutlinger (10)
Marguerite Chapuy by Maunoury
Mathilde de Carponne by Ogerau
Anna de Friedebourg by Ken
Cecile Simonnet by Benque
Marie Van Zandt by Benque
Josephine De Reszke By Theatrical Programme
Mily Meyer by Chalot
Felicie Kaschowska by Aime Dupont
Louise Homer by Aime Dupont
Marinsky Opera by Photography of Imperial Theatres…
Antonia Nezhdanova by Photography of Imperial Thea…
Mariya Slavina by Photography of Imperial Theatres…
Ernestine Schumann-Heink by Aime Dupont
Mario by Caldesi Blanford & Co
Antonie Link by Krziwanek
Zulma Bouffar by Reutlinger
Albert Alvarez & Louise Grandjean by Benque
Marguerite (Zina) de Nuovina by Benque
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
527 visits
Francesco Tamagno by Guilio Rossi


FRANCESCO TAMAGNO
(28 December 1850 – 31 August 1905)
Italian Tenor
Best known as the creator of the protagonist's part in Verdi's Otello at La Scala, Milan in 1887, he also was the first Gabriele Adorno in Verdi's 1881 revision of Simon Boccanegra, a far more lyrical assignment than the "Moor of Venice". He participated, too, in the premiere of Verdi's Italian-language version of Don Carlos when it was staged at La Scala in 1884, singing the eponymous role of the Infante of Spain. Five other operas in which Tamagno created leading roles were Carlos Gomes' Maria Tudor (in 1879), Amilcare Ponchielli's Il figliuol prodigo (1880) and Marion Delorme (1885), Ruggero Leoncavallo's I Medici (1893) and Isidore de Lara's Messaline (1899).
He was lauded for his performances of such established parts as Manrico in Il trovatore, Don Alvaro in La forza del destino, the titles role in Ernani and Poliuto, Arnold in Guillaume Tell, John of Leyden in Le prophète, Raoul in Les Huguenots, Vasco in L'Africaine, Robert in Robert le diable and Eleazar in La Juive. He excelled in the newer dramatic parts of Radames in Aida, Samson in Samson et Dalila, Alim in Le roi de Lahore and John the Baptist in Hérodiade. Yet, in his younger days, before his voice grew too robust, he was able to negotiate a role as light and graceful as that of Edgardo in Lucia di Lammermoor due to his accomplished mezza-voce singing.
(28 December 1850 – 31 August 1905)
Italian Tenor
Best known as the creator of the protagonist's part in Verdi's Otello at La Scala, Milan in 1887, he also was the first Gabriele Adorno in Verdi's 1881 revision of Simon Boccanegra, a far more lyrical assignment than the "Moor of Venice". He participated, too, in the premiere of Verdi's Italian-language version of Don Carlos when it was staged at La Scala in 1884, singing the eponymous role of the Infante of Spain. Five other operas in which Tamagno created leading roles were Carlos Gomes' Maria Tudor (in 1879), Amilcare Ponchielli's Il figliuol prodigo (1880) and Marion Delorme (1885), Ruggero Leoncavallo's I Medici (1893) and Isidore de Lara's Messaline (1899).
He was lauded for his performances of such established parts as Manrico in Il trovatore, Don Alvaro in La forza del destino, the titles role in Ernani and Poliuto, Arnold in Guillaume Tell, John of Leyden in Le prophète, Raoul in Les Huguenots, Vasco in L'Africaine, Robert in Robert le diable and Eleazar in La Juive. He excelled in the newer dramatic parts of Radames in Aida, Samson in Samson et Dalila, Alim in Le roi de Lahore and John the Baptist in Hérodiade. Yet, in his younger days, before his voice grew too robust, he was able to negotiate a role as light and graceful as that of Edgardo in Lucia di Lammermoor due to his accomplished mezza-voce singing.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.