Emma Eames by Benque
Emma Eames by Benque
Emma Eames by Reutlinger
Emma Eames by Falk
Emma Eames by Newsboy
Henry Sellier & Caroline Salla by Benque
Ernst Van Dyke by Benque
Maurice Renaud by Benque
Edouard De Reszke by Mieczkowski
Victor Maurel By Benque
Rose Caron & Albert Saleza by Bary
Marie Delna by Reutlinger
Lucienne Breval by Reutlinger
Rosa Bosman by Benque
Albert Saleza by Bary
Annie Louise Cary by Houseworth & Co (5)
Georgette Leblanc by Gerschel
Fernand Francell By Nadar
Marie Brema by Alfred Ellis
Anton Van Rooy by Aime Dupont
Zelie De Lussan by Gehrig
Sybil Sanderson by Benque
Sybil Sanderson by Benque
Adelina Patti by London Sterographic Co (1)
Adelina Patti by Sarony (5)
Adelina Patti by Sarony (4)
Emilie Melville by Johnstone O'Shannessy & Co
Max Alvery by Max Stuffler
Jean Francois Delmas by DuGuy
Emma Calve by Falk
Minnie Hauk by Mora (6)
Marguerite Ugalde by Nadar
Sir George Henschel by Falk
Pol Plancon by Aime Dupont
Emma Felice Mauduit by Unknown
Alice Gomez-Webb by Elliott & Fry
Emma Elsner by Gilbert and Bacon
Mark Smith by Gilbert and Bacon
Agnes Huntington by Gehrig
Emilie Melville by Scholl
William H Lawton by Reichmann & Co
William H Lawton by C M Bell
Henrietta Beebe by Parkinson
Antonio Scotti by Aime Dupont
Marie Roze by Mora
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Fides Devries by Benque


FIDES DEVRIES
American Soprano
Fidès was born in New Orleans on 22 April 1852, and died in 1941, and was a soprano who studied under Duprez. She made her debut as Rose-de-Mai in Le val d'Andorre at the Théâtre Lyrique in October 1868. After a couple of seasons at La Monnaie in Brussels, she joined the Paris Opera in 1871, where her repertoire included Marguerite in Faust, Ophélie in Hamlet, Isabelle in Robert le diable, Agathe in Le Freischutz, Inès and Sélika in L’Africaine, Elvira in Don Juan, Mathilde in Guillaume Tell and Eudoxie in La Juive.
In February 1873 Devriès took the solo soprano part in Beethoven’s Choral Symphony with the Société des Concerts du Conservatoire, along with an aria from Don Giovanni
She interrupted her career from April 1874 to 1883, after which she appeared at the Théâtre-Italien directed by Victor Maurel, singing in Simon Boccanegra and Hérodiade. Back at the Opéra, after touring to Monte-Carlo, Madrid, Lisbon and Holland, she created the role of Chimène in the premiere of Le Cid on 30 November 1885. Her final major appearance was as Elsa in the French premiere of Lohengrin on 3 May 1887, before retiring from the stage in 1889
American Soprano
Fidès was born in New Orleans on 22 April 1852, and died in 1941, and was a soprano who studied under Duprez. She made her debut as Rose-de-Mai in Le val d'Andorre at the Théâtre Lyrique in October 1868. After a couple of seasons at La Monnaie in Brussels, she joined the Paris Opera in 1871, where her repertoire included Marguerite in Faust, Ophélie in Hamlet, Isabelle in Robert le diable, Agathe in Le Freischutz, Inès and Sélika in L’Africaine, Elvira in Don Juan, Mathilde in Guillaume Tell and Eudoxie in La Juive.
In February 1873 Devriès took the solo soprano part in Beethoven’s Choral Symphony with the Société des Concerts du Conservatoire, along with an aria from Don Giovanni
She interrupted her career from April 1874 to 1883, after which she appeared at the Théâtre-Italien directed by Victor Maurel, singing in Simon Boccanegra and Hérodiade. Back at the Opéra, after touring to Monte-Carlo, Madrid, Lisbon and Holland, she created the role of Chimène in the premiere of Le Cid on 30 November 1885. Her final major appearance was as Elsa in the French premiere of Lohengrin on 3 May 1887, before retiring from the stage in 1889
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