Jean de Reszke by Benque
Jean de Reszke by Benque
Henry Sellier by Benque
Etelka Gerster by Sarony
Emma Eames by Falk
Charles Santley by Alex Bassano
Marie Roze by Mora
Antonio Scotti by Aime Dupont
Henrietta Beebe by Parkinson
William H Lawton by C M Bell
William H Lawton by Reichmann & Co
Emilie Melville by Scholl
Agnes Huntington by Gehrig
Mark Smith by Gilbert and Bacon
Emma Elsner by Gilbert and Bacon
Alice Gomez-Webb by Elliott & Fry
Emma Felice Mauduit by Unknown
Pol Plancon by Aime Dupont
Sir George Henschel by Falk
Marguerite Ugalde by Nadar
Minnie Hauk by Mora (6)
Emma Calve by Falk
Jean Francois Delmas by DuGuy
Edouard de Reszke by Benque
Eva Dufranne by Benque
Valentin Duc by Benque
Marie Gabrielle Krauss by Benque
Marie Gabrielle Krauss by Benque
William Schwenck Gilbert by Sarony
Lucienne Breval by Benque
Lucienne Breval & Leon Gressi by Nadar
Ernest Van Dyck by Benque
Jeanne Camperdon by Bert
Adelina Patti by Newsboy (3)
Adelina Patti by Unknown (2)
Jeanne Granier by Chalot
Cecile Thevenet by Boyer
Zina Brozia by Cheri-Rousseau & Glauth
Euphrosyne Parepa-Rosa by Gurney
Marguerite Carrere-Xanrof by Reutlinger
Mirielle Berthon by Chalot
Anna De Bellocca by Mora
Rosa Bosman by Benque
Meyriane Heglon by Reutlinger
Etelka Gerster by Mora
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Jean de Reszke by Benque


Jean de Reszke as Romeo "Romeo & Juilette " Gounod
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
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