Ernestina Gindele by unknown
Hans Von Rokitansky by Unknown
August Egon Hablawetz by Unknown
Ilma De Murska by Unknown
Marie Sasse by Disderi (5)
Eugene Charles Antoine Crosti by Reutlinger
Marianne Brandt by Schaarwachter
Carlotta Patti by Disderi (2)
Etelka Gerster by Schmidt
Pauline Lucca by Sarony
Lillian Nordica by Aime Dupont
Aleksander Smirnoff By Photography of Imperial The…
Lily Post by Falk
Clara Louise Kellogg by Mora
Etelka Gerster by Unknown
Jean Lasalle by Fontaine
Mila Rodani (Roeder) by Stereoscopic Co
Jenny Lind & Otto Goldschmidt by Murray
Marie Geistinger by Carl & Witt
Operatic Composers by Ashford Bros
Christine Nilsson by Reutlinger (12)
Caroline Lefebvre-Faure by Unknown
Carlotta Patti by Genese (3)
Emil Scaria by Luckhardt
Gustav Walter by Unknown
Gustav Walter by Unknown
Lucien Fugere by Nadar
Anna De Bellocca by unknown
Marie Delna by Reutlinger
Sims Reeves Autograph on Reverse
Sims Reeves by Barraud
Fides Devries by Mathieu-Deroche
Edward Lloyd by Fradelle & Marshall
Charles Santley by Sarony
Auguste Alphonse Edmond Meillet by Franck
Charles Louis Pubereaux Sainte-Foy by Numa Blanc
Charles Louis Pubereaux Sainte-Foy By Bingham
Gustave Hippolyte Roger by Disderi
Enrico Tamberlick by Mayer & Pierson
Giovanni Mario by Unknown
Therese Tietjens by Unknown
Rosine Bloch by Reutlinger
Leontine Maesen by Reutlinger
Jeanne Granier by Unknown
Caroline Van den Heuvel-Duprez by Disderi
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
539 visits
Marie Cabel by Trinquart


MARIE CABEL (31 January 1827 – 23 May 1885) was a Belgian coloratura soprano. She is probably best remembered for having created the role of Philine in Ambroise Thomas' opera Mignon.
Born Marie-Josèphe Dreulette[in Liège, she was the daughter of a former cavalry officer in Napoleon's army, who after his discharge had become an accountant for various theatres in Belgium. Pauline Viardot, who at that time lived in a chateau near Brussels, happened to hear Cabel sing as a child and predicted a great future for her. Cabel first studied voice in Liège with Bouillon, and, her father having died, gave music lessons to help support her mother. Cabel's younger brother Edmond also became a singer and in 1863 created the role of Hylas in Hector Berlioz' Les Troyens.
Cabel later studied voice in Brussels with Ferdinand Cabel and Louis-Joseph Cabel. In 1847 she married Georges Cabel, the brother of Louis-Joseph and also a voice teacher. As the marriage was unhappy, they soon separated and ultimately divorced. That same year she gave a concert in Paris and continued her studies at the Paris Conservatory in 1848–1849.
Cabel made her operatic debut in Paris at the Théâtre Chateau des Fleurs in 1848, and in 1849 sang the roles of Georgette in Halévy's Le val d'Andorre and Athénaïs in Halévy's Les mousquetaires de la reine at the Opéra-Comique, where she went almost unnoticed. Moving back to Brussels, she sang at the Théâtre de la Monnaie from 1850 to 1853 with greater success In 1852 she also appeared in Lyon, at a salary of 3,ooo francs per month, and the following year in Strassbourg and Geneva
Born Marie-Josèphe Dreulette[in Liège, she was the daughter of a former cavalry officer in Napoleon's army, who after his discharge had become an accountant for various theatres in Belgium. Pauline Viardot, who at that time lived in a chateau near Brussels, happened to hear Cabel sing as a child and predicted a great future for her. Cabel first studied voice in Liège with Bouillon, and, her father having died, gave music lessons to help support her mother. Cabel's younger brother Edmond also became a singer and in 1863 created the role of Hylas in Hector Berlioz' Les Troyens.
Cabel later studied voice in Brussels with Ferdinand Cabel and Louis-Joseph Cabel. In 1847 she married Georges Cabel, the brother of Louis-Joseph and also a voice teacher. As the marriage was unhappy, they soon separated and ultimately divorced. That same year she gave a concert in Paris and continued her studies at the Paris Conservatory in 1848–1849.
Cabel made her operatic debut in Paris at the Théâtre Chateau des Fleurs in 1848, and in 1849 sang the roles of Georgette in Halévy's Le val d'Andorre and Athénaïs in Halévy's Les mousquetaires de la reine at the Opéra-Comique, where she went almost unnoticed. Moving back to Brussels, she sang at the Théâtre de la Monnaie from 1850 to 1853 with greater success In 1852 she also appeared in Lyon, at a salary of 3,ooo francs per month, and the following year in Strassbourg and Geneva
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.