Danse Macabre / Dance of Death / Totentanz

The fortified parish church of Metnitz, first mentioned in 1121, is best known for its Karner (ossuary) - and the Totentanz (= "Dance of Death", "Danse Macabre"), a fresco that runs all around the octagonal building. The frescoes were done around 1500. In 1970 the original frescoes were removed from the wall and are now save in the local "Totentanzmuseum", next to the church. Since 1989 here are copies of the originals.

The church, today located in the center of the village, was erected mid 12th century, when it was part of a castle. A century later the church got enlarged and later further modified. In 2009, during the restauration of the church, faded frescoes from the 14th/15the century were decovered under the plaster. Probably a "Last Judgement". The smiling skeleton reminds me on a "Danse macabre" a popular icon from the 15th century on (eg Chaise-Dieu, Basel).

The Kermaria-an-Iskuit chapel has undergone many changes over the centuries. The construction of the oldest existing part is contributed to Henri d'Avaugour (+ 1183), count of Trégor and Goëlo, to give thanks after having returned from a crusade. In the 15th century the porch, seen here, and the transverse chapel were added. During the 19th century the structure was in real danger, when the parish priest wanted to demolish the chapel in order to construct the "modern" village church. The population resisted this plans - and so saved the building. Once this chapel was a place for pilgrimages, as the chapel is dedicated to the worship of "Itron Varia an Iskuit" (Saint Mary of the Healing) and following the local information, a traditional feast is still celebrated on the 3rd Sunday in September. The western part of the nave dates back to the 13th century. The mural above the arches depicts a "Dance of Death" ("danse macabre"). The fresco was discovered under the white paint mid 19th. century. The earliest "danse macabre" in France was (now lost) a mural in a cemetery in Paris dating from 1424–25. This one may be 50 or 60 years younger.

The Kermaria-an-Iskuit chapel has undergone many changes over the centuries. The construction of the oldest existing part is contributed to Henri d'Avaugour (+ 1183), count of Trégor and Goëlo, to give thanks after having returned from a crusade. In the 15th century the porch, seen here, and the transverse chapel were added. During the 19th century the structure was in real danger, when the parish priest wanted to demolish the chapel in order to construct the "modern" village church. The population resisted this plans - and so saved the building. Once this chapel was a place for pilgrimages, as the chapel is dedicated to the worship of "Itron Varia an Iskuit" (Saint Mary of the Healing) and following the local information, a traditional feast is still celebrated on the 3rd Sunday in September. The mural above the arches, partly seen here, depicts a "Dance of Death" ("danse macabre"). The fresco was discovered under the white paint mid 19th. century. The earliest "danse macabre" in France was (now lost) a mural in a cemetery in Paris dating from 1424–25. This one may be 50 or 60 years younger. The complete mural here has 47 dancers.

The fortified parish church of Metnitz, first mentioned in 1121, is best known for its Karner (ossuary) - and the Totentanz (= "Dance of Death", "Danse Macabre"), a fresco that runs all around the octagonal building. The frescoes were done around 1500. In 1970 the original frescoes were removed from the wall and are now save in the local "Totentanzmuseum", next to the church. Since 1989 copies of the originals are seen around the Karner.

The fortified parish church of Metnitz, first mentioned in 1121, is best known for its Karner (ossuary) - and the Totentanz (= "Dance of Death", "Danse Macabre"), a fresco that runs all around the octagonal building. The frescoes were done around 1500. In 1970 the original frescoes were removed from the wall and are now save in the local "Totentanzmuseum", next to the church. Since 1989 copies of the originals are seen around the Karner.

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the "Danse Macabre" fresco. In three panels 23 living persons, representing the medieval society, are invited to "dance" the invitation to death with the skeletons around them. The artistic from of the "Dance of the Death" arose from the calamities of the 13th and 14th century. The plague, named "Black Death", forced so many people into this dance.

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the "Danse Macabre" fresco. In three panels 23 living persons, representing the medieval society, are invited to "dance" the invitation to death with the skeletons around them. The artistic from of the "Dance of the Death" arose from the calamities of the 13th and 14th century. The plague, named "Black Death", forced so many people into this dance. Even the Pope, wearing a tiara, the Bishop, the Emporer and his spouse - all have to dance.

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the "Danse Macabre" fresco, dated ~ 1450. In three panels 23 living persons, representing the medieval society, are invited to "dance" the invitation to death with the skeletons around them. The artistic from of the "Dance of the Death" arose from the calamities of the 13th and 14th century. The plague, named "Black Death", forced so many people into this dance. The monk wears a pair of glasses! Pretty early!