Hannover - Landesmuseum

With more than 500.000 inhabitants Hannover is the capital and largest city of the German state of Lower Saxony.

Hannover was founded in medieval times on the east bank of the River Leine. It was a small village of ferrymen and fishermen. It became a comparatively large town in the 13th century, receiving town privileges in 1241, owing to its position at natural crossroads It was connected to the Hanseatic city of Bremen by the Leine and was situated north-west of the Harz mountains so that east-west traffic passed through it.

Between 1714 and 1837 three kings of Great Britain were concurrently also Electoral Princes of Hanover.

As an important railway and road junction and production centre, Hannover was a major target for strategic bombing during WW II. More than 90% of the city centre was destroyed in a total of 88 bombing raids. So today Hannover lacks it´s medieval heart.


Originally the Museum of "Kunst und Wissenschaft" (art and science) inaugurated in 1856 in the presence of George V of Hanover. After the annexation of Hanover by Prussia, the museum was integrated into the Provincial Museum, as it was called from 1869. The museum ran out of space for its art collections, prompting the construction of the current building in 1902. Extensive renovations and modernisations were carried out in the interior from 1995 to 2000, reopening on 13 May 2000 as part of Expo 2000.

Today the museum comprises the state gallery (Landesgalerie), featuring paintings and sculptures from the Middle Ages to the 20th century, and departments of archaeology, natural history and ethnology.


Die Goldene Tafel, Lüneburg, 1429/30

When closed, the everyday view, a scene from the Old Testament is juxtaposed with a scene from the New Testament.

When the panels were opened on certain feast days, presents the life, passion, and resurrection of Christ in 36 scenes, read in three columns from left to right.

In a recent research project at the altar was extensively examined from an art historical and art-scientific perspective, laying the foundation for the subsequent three-year restoration, which was successfully completed in 2019.

Various artists worked on this highly complex altar. At least two workshops can be distinguished within the paintings: the first, a painter from the circle of Conrad von Soest, designed the scenes, and the second, presumably from Cologne, executed the paintings.