Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
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Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley Minster
Beverley - Market Cross
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
Beverley - St Mary's Church
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Beverley Minster


The town's origins date back to the 7th century. The first known building was a church founded by John of Beverley (+ 721), the later canonized Bishop of York. Around 850, the monastery was dissolved by the invasion of the "Great Heathen Army" of Vikings, and the town became part of the new Kingdom of Jorvik. However, the veneration of John of Beverley ensured that the region's population grew steadily until the 10th century.
The Archbishops of York encouraged the development of Beverley. The town, along with York, Ripon, and Southwell, became one of the most important Christian centers in England.
After the Norman conquest of England, many pilgrims flocked to Beverley after hearing of the miracles performed by John of Beverley. Many people in the north of England rejected Norman rule. The Normans then ravaged the towns of Yorkshire. Beverley, however, was spared due to the sanctity of the place.
Tradition attributes the refoundation of the monastery as a collegiate church of secular canons to King Æthelstan. The establishment of a significant minster and its privileges occurred gradually, but by the early 11th century, Bishop John's tomb had become an important pilgrimage center, as he was canonized in 1037, and his cult encouraged the growth of a town around the minster.
A fire in 1188 seriously damaged the minster and the town. A complete rebuilding was required. During the construction, a new lantern tower over the eastern crossing designed to illuminate the shrine of St John was under construction, but it collapsed in 1219 necessitating a partial rebuild of the church. By 1260 the retrochoir, choir, chapter house, transepts, and crossing were complete. Overwhelmingly tall and spacious, and speaking to the increasing skills of the stonecarvers, this new work was radically different from the old Saxon and Norman structure it replaced. It was the product of the novel structural systems and artistic development that together define the Gothic style brought to England in the late 12th century.
A large orchestra and some very strange people populate the walls inside.
A woodwose on the left
The Archbishops of York encouraged the development of Beverley. The town, along with York, Ripon, and Southwell, became one of the most important Christian centers in England.
After the Norman conquest of England, many pilgrims flocked to Beverley after hearing of the miracles performed by John of Beverley. Many people in the north of England rejected Norman rule. The Normans then ravaged the towns of Yorkshire. Beverley, however, was spared due to the sanctity of the place.
Tradition attributes the refoundation of the monastery as a collegiate church of secular canons to King Æthelstan. The establishment of a significant minster and its privileges occurred gradually, but by the early 11th century, Bishop John's tomb had become an important pilgrimage center, as he was canonized in 1037, and his cult encouraged the growth of a town around the minster.
A fire in 1188 seriously damaged the minster and the town. A complete rebuilding was required. During the construction, a new lantern tower over the eastern crossing designed to illuminate the shrine of St John was under construction, but it collapsed in 1219 necessitating a partial rebuild of the church. By 1260 the retrochoir, choir, chapter house, transepts, and crossing were complete. Overwhelmingly tall and spacious, and speaking to the increasing skills of the stonecarvers, this new work was radically different from the old Saxon and Norman structure it replaced. It was the product of the novel structural systems and artistic development that together define the Gothic style brought to England in the late 12th century.
A large orchestra and some very strange people populate the walls inside.
A woodwose on the left
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