Sélestat - Saint-Georges
Sélestat - Saint-Georges
Sélestat - Saint-Georges
Sélestat - Saint-Georges
Strasbourg - La Petite France
Strasbourg - Saint-Thomas
Strasbourg - Saint-Thomas
Strasbourg - Saint-Thomas
Strasbourg - Saint-Thomas
Strasbourg - Saint-Thomas
Strasbourg - La Petit France
Strasbourg - Saint-Thomas
Strasbourg - Cinéma Vox
Strasbourg - Boulangerie-Pâtisserie "Lenhardt"
Strasbourg - Rue Merciere
Strasbourg - Place de la Cathédrale
Strasbourg - Cathédrale Notre-Dame
Strasbourg - Cathédrale Notre-Dame
Strasbourg - Cathédrale Notre-Dame
Strasbourg - Cathédrale Notre-Dame
Strasbourg - Cathédrale Notre-Dame
Strasbourg - Cathédrale Notre-Dame
Strasbourg - Cathédrale Notre-Dame
Sélestat - Saint-Georges
Sélestat - Sainte-Foy
Sélestat - Sainte-Foy
Sélestat - Sainte-Foy
Sélestat - Sainte-Foy
Sélestat - Sainte-Foy
Sélestat - Bibliothèque Humaniste
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Piacenza - Duomo
Fidenza - Vending Machine
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Sélestat - Saint-Georges


Sélestat was probably not more than a village when Charlemagne stayed here over Christmas 775. Nowadays Sélestat claims to be the place of origin of the christmas-tree, based on an invoice from 1521.
St. George's Church has always served as the main parish church. Its construction started on the remains of a Carolingian chapel soon after 1200 and was completed at the beginning of the 15th century. Its design is pure Gothic, save for a Romanesque side portal. The choir, the last part to be completed, is the most remarkable element. The construction of the tower continued during the fifteenth century, The church had a rood screen by Conrad Sifer but was destroyed during the French Revolution.
St. George's Church has always served as the main parish church. Its construction started on the remains of a Carolingian chapel soon after 1200 and was completed at the beginning of the 15th century. Its design is pure Gothic, save for a Romanesque side portal. The choir, the last part to be completed, is the most remarkable element. The construction of the tower continued during the fifteenth century, The church had a rood screen by Conrad Sifer but was destroyed during the French Revolution.
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