Modena - Duomo
Modena - Duomo
Modena - Duomo
Modena - Duomo
Modena - Duomo
Modena - Duomo
Modena - Duomo (PiP)
Modena - Duomo
Modena - Duomo
Modena - Duomo
Modena - Duomo
Modena - Duomo
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Modena - Duomo
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Modena - Santa Maria della Pomposa
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Cremona - Duomo
Cremona - Duomo
Cremona - Duomo
Cremona - Duomo
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Cremona - Duomo
Crema - Santa Maria della Croce
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Modena - Duomo


Modena, an Etruscan foundation, was an important city in the Roman Empire and a stronghold against the barbarian attacks at its end. It is said that it was never sacked by Attila, for a dense fog hid it (a miracle said to be provided by Saint Geminianus, patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned.
Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor.
Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled.
A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322.
Porta della Pescheria
The (northern) Porta della Pescheria, features carvings of secular scenes on the archivolt and lintel. The carvings on the archivolt are notable for depicting a very early Arthurian scene.
The lintel carvings include a cross, birds, animals, and a man riding a hippocamp. The archivolt carving includes inscriptions identifying the figures as Arthurian characters and sets them in a scene that has various correspondences in Arthurian literature. The sculptor has been dubbed the "Arthur Master".
At the center of the archivolt image is a castle defended by two towers, inside of which are two figures identified as "Mardoc" and "Winlogee". The left tower is defended by a pickaxe-wielding man named "Burmaltus", who faces off against Artus de Bretania, Isdernus, and another unnamed knight.
Translate into English
Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor.
Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled.
A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322.
Porta della Pescheria
The (northern) Porta della Pescheria, features carvings of secular scenes on the archivolt and lintel. The carvings on the archivolt are notable for depicting a very early Arthurian scene.
The lintel carvings include a cross, birds, animals, and a man riding a hippocamp. The archivolt carving includes inscriptions identifying the figures as Arthurian characters and sets them in a scene that has various correspondences in Arthurian literature. The sculptor has been dubbed the "Arthur Master".
At the center of the archivolt image is a castle defended by two towers, inside of which are two figures identified as "Mardoc" and "Winlogee". The left tower is defended by a pickaxe-wielding man named "Burmaltus", who faces off against Artus de Bretania, Isdernus, and another unnamed knight.
Paolo Tanino has particularly liked this photo
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