Liège - Collégiale Saint-Barthélemy
Liège - Collégiale Saint-Barthélemy
Vieuxville - Chapelle Saints-Pierre-et-Paul
Vieuxville - Chapelle Saints-Pierre-et-Paul
Vieuxville - Eternity
Nivelles - Collégiale Sainte-Gertrude
Nivelles - Collégiale Sainte-Gertrude
Nivelles - Collégiale Sainte-Gertrude
Nivelles - Collégiale Sainte-Gertrude
Nivelles - Collégiale Sainte-Gertrude
Nivelles - Collégiale Sainte-Gertrude
Nivelles - Collégiale Sainte-Gertrude
Ghent - Groentenmarkt
Ghent - Vrijdagmarkt
Ghent - Bond Moyson
Ghent - Graslei
Ghent - Sint-Niklaaskerk
Ghent - Belfort van Gent
Ghent - Sint-Niklaaskerk
Ghent - Sint-Niklaaskerk
Bruges - Grote Markt
Bruges - Belfry
Bruges - Willow
Liège - Collégiale Saint-Barthélemy
Liège - Collégiale Saint-Barthélemy
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Nonantola - Abbazia di Nonantola
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Modena - Duomo di Modena
Location
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
240 visits
Liège - Collégiale Saint-Barthélemy


The Collegiate Church of St. Bartholomew, was part of a convent, founded outside the city walls of Liège. The building process started in the 11th century. The church got enlarged, altered and modified over the centuries.
Inside the Collégiale Saint-Barthélemy, now a parish church, is this baptismal font, a medieval masterpiece and icon of the "mosan art", a Romanesque style, that developed around the Meuse valley. The center was the Bishopric of Liège, but it spread to Aachen (= Aix-la-Chapelle), Maastricht and even Cologne.
The font was commissioned around 1107 by Abbé Hellin for the church of Notre-Dame-aux-Fonts, the baptistery of Liege at that time. It was completed by 1118 and is attributed to Renier de Huy, mentioned in a Liège chronicle as "Reinerus aurifaber".
This church was destroyed during the French Revolution. At that time the font was hidden. When it was finally moved into the Collegiate Church of St. Bartholomew, it was incomplete. The cover and two of the 12 supporting oxen were lost.
During the early 12th century the area around the Meuse Valley was known for its metalworks. The technique "Reinerus aurifaber" used here is known as lost-wax casting.
The complete font was sculpted in wax first. Two moulds (inner and outer) from refractory clay then cover the wax-model completeley, before hot bronze is poured between the two moulds. The wax melts - and get replaced by the bronze that cools down and hardens.
Inside the Collégiale Saint-Barthélemy, now a parish church, is this baptismal font, a medieval masterpiece and icon of the "mosan art", a Romanesque style, that developed around the Meuse valley. The center was the Bishopric of Liège, but it spread to Aachen (= Aix-la-Chapelle), Maastricht and even Cologne.
The font was commissioned around 1107 by Abbé Hellin for the church of Notre-Dame-aux-Fonts, the baptistery of Liege at that time. It was completed by 1118 and is attributed to Renier de Huy, mentioned in a Liège chronicle as "Reinerus aurifaber".
This church was destroyed during the French Revolution. At that time the font was hidden. When it was finally moved into the Collegiate Church of St. Bartholomew, it was incomplete. The cover and two of the 12 supporting oxen were lost.
During the early 12th century the area around the Meuse Valley was known for its metalworks. The technique "Reinerus aurifaber" used here is known as lost-wax casting.
The complete font was sculpted in wax first. Two moulds (inner and outer) from refractory clay then cover the wax-model completeley, before hot bronze is poured between the two moulds. The wax melts - and get replaced by the bronze that cools down and hardens.
Marco F. Delminho has particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.