dry
looking up
1st.
2nd.
season's end
soon gone
Enjoying the sun
Past at last
goodby summer
High bush cranberry
Ready for your closeup?
Lights, camera, pause
another autumn
And it autumn again
Winter's wood
Season's greeting
still
today's work
blowinoutcandles
410
pre-modern
Ready
1st snow
Owl looking for Chuck
Dinner telling me about her day
& then
Chuck
Back again, again, again
woodchuck chucking
meet Chuck
giving a high four!
Back again, again WIP
Back again
She's still around
Keeping her eye on me
Watchful
Dinner's waiting
last passed
She's getting quite pushy
Dinner1
Dinner2
Dinner3
Dinner4
Dinner5
Dinner6
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X


OK, X is for experimental or some such.
This is multi-media, sumi-e (Brushed ink on "rice" paper) then chalk pastels added for color, then "fixed" by brushing linseed oil on the back, which penetrates the paper locking, binding, both the ink and pastels. The linseed oil leaves the paper somewhat translucent. The painting is sitting atop blank, white stock and the black back cloth is visible showing through the sides beyond the edge of the white sheet behind the painting.
Since I paint purely for pleasure, not for profit nor posterity, I can afford to experiment (GRIN) although I suspect that drawing I do in ink, charcoal and/or pastels that I 'fix' with linseed oil are as archival as any oil painting.
This is multi-media, sumi-e (Brushed ink on "rice" paper) then chalk pastels added for color, then "fixed" by brushing linseed oil on the back, which penetrates the paper locking, binding, both the ink and pastels. The linseed oil leaves the paper somewhat translucent. The painting is sitting atop blank, white stock and the black back cloth is visible showing through the sides beyond the edge of the white sheet behind the painting.
Since I paint purely for pleasure, not for profit nor posterity, I can afford to experiment (GRIN) although I suspect that drawing I do in ink, charcoal and/or pastels that I 'fix' with linseed oil are as archival as any oil painting.
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