burning inverted
Time to move beyond
21 January 2010 drawing session
The next iteration
SFW in progress
On my 1st trip to Japan
Rejuvenation
Challenge 257
First sun through the window!
High Noon
The moon at high noon
Life session 1-29-10
Fire in the hole!
Weekday at the Ohara
First sun
Early frost, a tragedy
light reading
hues
Howling at the noon
Still white
First light
Hour after sunrise
Must still be a mountain in the way
With a wind off the lee shore
Sunday sun
at -10° F (-23°C.)
wall flowers
Life session 14 January 2010
EDM #248, Draw a lock
without a safety net
Painted outside at -30 degrees
Occidental Orient
はんせい、Hansei
Drinking えんよう
in the eye of the storm
lost in thought
in days gone by
gantan 2010
風流, Elegance
元旦 2010
20 years ago in Thailand
20 years ago in Thailand...
out with the old
At the temple
2010
See also...
Keywords
Authorizations, license
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burning bright


In the forest of the night....
I suspect everyone in the world (ok, almost everyone) is familiar with William Blake's
_________
THE TIGER
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Wlm. Blake
_________________
Started out working wet on very wet, applying the Prussian blue straight from the tube, mixing it on the paper and tipped the paper to establish the basic shape. Normally my winter palette leans toward softer pastels (as do the winter lit vistas here).
watercolor on 9" X 12" cheap watercolor paper.
I suspect everyone in the world (ok, almost everyone) is familiar with William Blake's
_________
THE TIGER
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?
Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
Wlm. Blake
_________________
Started out working wet on very wet, applying the Prussian blue straight from the tube, mixing it on the paper and tipped the paper to establish the basic shape. Normally my winter palette leans toward softer pastels (as do the winter lit vistas here).
watercolor on 9" X 12" cheap watercolor paper.
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