Eppure vive
Joy of cloudy day
Tomatoes -- Home garden
Effects of Forest Fires
Survival
Is this not happiness
The Sailor cannot see the North
Breakfast in the park
Et cetera Et cetera
An artist's concept
The eyes of dragons
Wayside grocer
Clouds
Plate XIV
Sutro Bath
Message at the local Post office
Figs
Chevrolet - Apache 10
^ ^
The Movement of the grass
Creeper
Shimmering
A different road
Rose
Bottle brush flower /Callistemon
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. . . . In India, art has always been a hand-maid of religion. The period under review saw the great preponderance of Buddhism, and hence the art was employed mostly in the service of that religion. The architects built Buddhist stupas, monasteries, and churches, while the sculptors found their motif or subject-matter in the legends of Buddha and the stories associated with his life and religion. ~ Page 227
The effects of the Huna en.wikipedia.org/wiki/Huna_people invasion can be clearly perceived in the annals of Hiuen Tsang. en.wikipedia.org/wiki/Xuanzang Throughout North western India he scarcely came across any trace of living Buddhism but the ruins of thousands of temples and monasteries, deserted and dilapidated, told the tale of its former splendor. When Hiuen Tsang visited this country (629-645 A.D) , Harshavardhana’s en.wikipedia.org/wiki/Harsha patronage of Buddhism gave a temporary least of life and vigour to the decaying religion in North India, but although the Chinese pilgrim did not plainly admit it, the facts recorded hold except in Bengal and Uttar Pradesh. In other parts of India Buddhism was carrying on a life and death struggle with Jainism and the newly revived Brahmanical religion or Hinduism. ~ Page 428
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