Peter the great
Catherine the great
On the forest floor
Gorbachev
Nikita Sergeyevich Khrushchev
Viburnum Plicatum Tomentosum /Summer snowflakes
Rousseau
Dance, dance, dance.....
Calla closeup
Looking out on a Close-down day
A day with History
....smile please...
Star Of India
Sea side landscape ~ La Jolla
Famous American kiss
Renovation
Leo Tolstoy
Fig. 10.18
Fig. 10.8
Figure 9.1
Fig.7.8
Fig.7.2
Departments in 1970
Spring Twins
Paper money
Goethe's colours and light
Colours
Beach scene
Beach
Beach scene
Beach scene
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. . . Dostoevsky could be called the most international or, better the most human of writers because of his enormous concern with and penetration into the nature of man. The strange Russian author was a master of depth psychology before depth psychology became known. Moreover, he viewed human nature in the dynamic terms of explosive conflict between freedom and necessity, urge and limitations, faith and despair, good and evil. Of Dostoevsky’s general priceless gifts the greatest was to fuse into one his protagonists and the ideas -- or rather states of man’s soul and entire being -- that they expressed, as no other writer has ever done. Therefore, where others are prolix, tedious, didactic, or confusing in mixing different levels of discourse, Dostoevsky is gripping, in places almost unbearably so. As another Russian author Gleb Uspensky, reportedly once remarked, into a small hole in the wall, where the generality of human being could put perhaps a pair of shoes, Dostoevsky could put entire world. One of the greatest anti-rationalists of the second half the nineteenth century, together with Nietzsche and Kirkegaard, Dostoevsky became with them an acknowledged prophet for the twentieth, inspiring existential philosophy, theological revivals, and scholarly attempts to understand the catastrophes of our time -- as well as, of course modern psychological fictions. ` Page 442