Dinesh

Dinesh club

Posted: 12 Jun 2019


Taken: 29 Apr 2019

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Temptation to Exist
E.M. Cairon
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Man is a mask

Man is a mask
And what Cioran says of the mystic, in his essay “Dealing with the Mystics,” applies perfectly to his own thought. “The Mystic, in most cases, invents his adversaries…. His thought asserts the existence of others by calculation, by artifice: it is a strategy of no consequence. His thought boils down, in the last instance, to a polemic with himself: he seeks to be, he becomes a crowd, even if it is only by making himself one now mask after the other, multiplying his faces: in which he resembles his Creator, whose histrionics he perpetuates.” ~ Page 21

Yet while Cioran projects a recognizable political stance (though it’s present only implicitly in most of the essays), his approach is not, in the end, grounded in a religious commitment. Whatever his political-moral sympathies have in common with right-wing Catholic sensibility, Cioran himself, as I have already said, is committed to the paradoxes of an atheist theology. Faith itself, he argues, solves nothing. ~ Page 22 ~ Excerpt: "Temptation to Exist"

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 Dinesh
Dinesh club
Man is a mask

“But whether the visage we assume be a joyful or a sad one, in adopting and emphasizing if we define our sovereign temper. Henceforth, so long as we continue under the spell of this self-knowledge, we do not merely live but act; we compose and play our chosen character, we wear the buskin of deliberation, we defend and idealize our passions, we encourage ourselves eloquently to be what we are, devoted to scornful or careless or austere; we soliloquize (before an imaginary audience) and we wrap ourselves gracefully in the mantle of our inalienable part. So draped, we solicit applause and expect to die amid a universal hush. We profess to live up to the fine sentiments have uttered, as we try to believe in the religion we profess. We greater our difficulties the greater our zeal. Under our published principles and plighted language we must assiduously hide all the inequalities of our moods and conduct, and this without hypocrisy, since our deliberate character is more truly ourself we paint in this way and exhibit as our true person well be in the grand manner, with column and curtain and distant landscape and finger pointing to the terrestrial globe or to the Yorick-skull of philosophy; but if this style is native to us and our art is vital, the more it transmutes its model the deeper and truer art it will be. The severe bust of an archaic sculpture, scarcely humanizing the block, will express a spirit far more justly than the man’s dull morning looks or casual grimaces. Everyone who is sure of his mind, or proud of his office, or anxious about his duty assumes a tragic mask. He deputes it to be himself and transfers to it almost all his vanity. While still alive and subject, like all existing things, to the undermining flux of his own substance, he has crystallized his soul into an idea, and more in pride than in sorrow he has offered up his life on the alter of the Muses. Self-knowledge, like any art of science, renders its subject-matter in a new medium, the medium of ideas, in which it loses its old dimensions and its old place. Our animal habits are transmuted by conscience into loyalties and duties, and we become “persons” as masks”
5 years ago.

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