William 'Billy' McClain
The 4 Black Diamonds
Edna Alexander
Anita Reynolds: A Life Unpublished
In Memoriam: Minnie Brown
Pearl Hobson
James Baldwin
Isabel Washington
Billy Kersands
The Great Florence Mills
Claudia McNeil
Abbie Mitchell
Dudley and Grady
Joseph Downing
A Fool And His Money: Earliest Surviving American…
Sir Duke's Baby Sis: Ruth Ellington
Philippa Schuyler
Another Forgotten Lady: Ida Forsyne
The Well
Norton & Margot
Aida Overton Walker
Etta Moten Barnett
Dora Dean of Johnson & Dean
Hiding in Plain Site: Joveddah de Rajah & Co.
Aida Overton Walker
Frederick J Piper
Hyers Sisters
Barbara McNair
Cole and Wiley
Queen of Swing: Norma Miller
Jackie Ormes: Creator of Torchy Brown
Lillian Evanti in Costume as Lakmé
Lorain High School Yearbook Photo
Marion Smart
Arabella Fields: The Black Nightingale
Hyers Sisters: Emma and Anna
Valaida Snow: Overlooked No More
Gertrude Saunders
Billie Allen
Pearl Hobson
Mae Virginia Cowdery
McIntosh and King
Walker & May
Emma Louise Hyers
Daisy Turner
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
57 visits
Hattie McIntosh


From minstrelsy to vaudeville to the Broadway stage, Hattie McIntosh was one of the first black women to make a profession of the theater.
Hattie McIntosh was born in Detroit, Michigan around 1860. She first performed in 1884 in McIntosh and Sawyer's Colored Callender Minstrels. Her husband, Tom McIntosh, was part-owner of the company and one of the country's leading black showmen. At a time when there were few black women onstage, many were wives of performers and producers; it was considered somewhat more respectable for a woman to go onstage with her husband than alone. There was very real protection in marriage, as well, from the hardships and dangers of touring.
In the early 1890s, the McIntoshes created a vaudeville act called "Mr. and Mrs. McIntosh in the King of Bavaria." In the next few years, they performed with the three important companies that broke out of the minstrel format and included women in their casts as well as men. In 1894, their act played with Sam T. Jack's Creole Shows, and they joined the legendary Black Patti's Troubadours in 1896. After that, they toured with John Isham's Octoroons Company. Hattie McIntosh soon had a leading role in Isham's King Rastus Company.
After the turn of the century, she joined the Williams and Walker Company, going to England in 1902 In Dahomey. Her husband, Tom McIntosh died in 1904. The following year, Hattie was in Chicago, as a member of Bob Mott's Pekin Theater Stock Company.
Bob Mott was a saloon owner who turned his saloon into a music hall in 1904. He built a new building in 1905 calling it the Pekin Theater. He then formed a stock company to perform at the Pekin; eventually the company also toured the East and Midwest. It is not clear how long McIntosh stayed at the Pekin, but in 1909 she was back with Bert Williams in Mr. Lode of Koal. That was her last performance with the musical comedy great. In about 1911, she formed a vaudeville team with another woman, Cordelia McClain.
McClain and McIntosh took their act to the Billy King Stock Company in 1912, which toured the South and then opened at the Grand Theater in Chicago in 1915 or 1916. McIntosh married Billy King the same year that she and McClain joined the company.
Hattie McIntosh died in Chicago in December of 1919.
Sources: White Studio, Luther S White, Photographer, Daniel Cowin Collection; "Black Women in America: Theater Arts and Entertainment, Encyclopedia of Black Women in America" by Kathleen Thompson
Hattie McIntosh was born in Detroit, Michigan around 1860. She first performed in 1884 in McIntosh and Sawyer's Colored Callender Minstrels. Her husband, Tom McIntosh, was part-owner of the company and one of the country's leading black showmen. At a time when there were few black women onstage, many were wives of performers and producers; it was considered somewhat more respectable for a woman to go onstage with her husband than alone. There was very real protection in marriage, as well, from the hardships and dangers of touring.
In the early 1890s, the McIntoshes created a vaudeville act called "Mr. and Mrs. McIntosh in the King of Bavaria." In the next few years, they performed with the three important companies that broke out of the minstrel format and included women in their casts as well as men. In 1894, their act played with Sam T. Jack's Creole Shows, and they joined the legendary Black Patti's Troubadours in 1896. After that, they toured with John Isham's Octoroons Company. Hattie McIntosh soon had a leading role in Isham's King Rastus Company.
After the turn of the century, she joined the Williams and Walker Company, going to England in 1902 In Dahomey. Her husband, Tom McIntosh died in 1904. The following year, Hattie was in Chicago, as a member of Bob Mott's Pekin Theater Stock Company.
Bob Mott was a saloon owner who turned his saloon into a music hall in 1904. He built a new building in 1905 calling it the Pekin Theater. He then formed a stock company to perform at the Pekin; eventually the company also toured the East and Midwest. It is not clear how long McIntosh stayed at the Pekin, but in 1909 she was back with Bert Williams in Mr. Lode of Koal. That was her last performance with the musical comedy great. In about 1911, she formed a vaudeville team with another woman, Cordelia McClain.
McClain and McIntosh took their act to the Billy King Stock Company in 1912, which toured the South and then opened at the Grand Theater in Chicago in 1915 or 1916. McIntosh married Billy King the same year that she and McClain joined the company.
Hattie McIntosh died in Chicago in December of 1919.
Sources: White Studio, Luther S White, Photographer, Daniel Cowin Collection; "Black Women in America: Theater Arts and Entertainment, Encyclopedia of Black Women in America" by Kathleen Thompson
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter