LaurieAnnie's photos with the keyword: flask

Flask with Face in the Metropolitan Museum, March…

08 Jan 2023 96
Title: Flask with face Maker: Jean-Joseph Carriès (French, Lyons 1855–1894 Paris) Date: ca. 1890 Culture: French, Saint-Amand-en-Puisaye Medium: Glazed stoneware Dimensions: H. 15 1/2 in.; wt. confirmed: 9.5 lb. (39.4 cm, 4.3 kg) Classification: Ceramics-Pottery Credit Line: Robert A. Ellison Jr. Collection, Purchase, Acquisitions Fund; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest; and 2011 Benefit Fund, 2013 Accession Number: 2013.489 The grimacing face reveals the artist's gifts as a sculptor–his profession before becoming a ceramicist. Carriès made an important series of masks, inspired by Japanese Noh theater and the gargoyles and carved faces on Gothic church architecture. His stoneware flasks with faces are an offshoot of this production. The bearded face as a motif on a water jug has its origins in sixteenth- and seventeenth-century German stoneware vessels known as Beardman or Bellarmine jugs. Text from: www.metmuseum.org/art/collection/search/239561

Flask with Face in the Metropolitan Museum, March…

08 Jan 2023 105
Title: Flask with face Maker: Jean-Joseph Carriès (French, Lyons 1855–1894 Paris) Date: ca. 1890 Culture: French, Saint-Amand-en-Puisaye Medium: Glazed stoneware Dimensions: H. 15 1/2 in.; wt. confirmed: 9.5 lb. (39.4 cm, 4.3 kg) Classification: Ceramics-Pottery Credit Line: Robert A. Ellison Jr. Collection, Purchase, Acquisitions Fund; Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest; and 2011 Benefit Fund, 2013 Accession Number: 2013.489 The grimacing face reveals the artist's gifts as a sculptor–his profession before becoming a ceramicist. Carriès made an important series of masks, inspired by Japanese Noh theater and the gargoyles and carved faces on Gothic church architecture. His stoneware flasks with faces are an offshoot of this production. The bearded face as a motif on a water jug has its origins in sixteenth- and seventeenth-century German stoneware vessels known as Beardman or Bellarmine jugs. Text from: www.metmuseum.org/art/collection/search/239561