LaurieAnnie's photos with the keyword: casket
Leather Casket in the Metropolitan Museum of Art,…
03 Jul 2011 |
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Title: Coffret
Date: 15th century
Culture: French
Medium: Leather, (stamped and tooled) with polychromy
Dimensions: Overall: 8 3/8 x 13 5/8 x 7 3/4 in. (21.2 x 34.6 x 19.7 cm)
Classification: Leatherwork
Credit Line: Rogers Fund, 1926
Accession Number: 26.284.1
Signatures, Inscriptions, and MarkingsInscriptions: Inscription in Gothic lettering: "AVE MARIA G--CIA -LEN DOMINVS TEC(um)." ("Hail Mary, full of grace. The Lord be with you.")
Text from: www.metmuseum.org/Works_of_Art/collection_database/mediev...
Wood and Bone Hexagonal Casket in the Metropolitan…
14 Apr 2008 |
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Wood and Bone Hexagonal Casket
Made in northern Italy, about 1400
Accession # 13.149.3
Text from the Metropolitan Museum of Art label.
Wood and Bone Hexagonal Casket in the Metropolitan…
14 Apr 2008 |
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Wood and Bone Hexagonal Casket
Made in northern Italy, about 1400
Accession # 13.149.3
Text from the Metropolitan Museum of Art label.
Ivory Casket with Birds and Animals in the Metropo…
29 Mar 2010 |
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Ivory Casket with Birds and Animals
Paint and gilded copper alloy mounts with glass
South Italian, Sicily
Carved 1200-1300
Accession # 1973.90
A peacock with exaggerated tail feathers as well as a circle with two concentric rings and four loops were common motifs in both ivory painting and carving in southern Italy. The various stones that decorate the metal fasteners were added at a later time, probably for a Western client.
Text from the Metropolitan Museum of Art label.
Casket from Ferrara in the Metropolitan Museum of…
03 Dec 2011 |
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Casket (cassetta)
Date: late 15th century
Culture: Italian, Ferrara
Medium: Molded gesso on partly gilt wood (pastiglia)
Dimensions: 3 1/8 × 4 1/8 × 6 3/8 in. (7.9 × 10.5 × 16.2 cm)
Classification: Woodwork-Furniture
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.190.589
Description:
Molded pastiglia, a composition consisting of either gesso or pulverized white lead with an egg binder to which musk was added, was applied to the surface of small caskets and deliberately left ungilt and unpainted, so that the relief exuded a musky scent. The technique was introduced to Ferrarese craftsmen at the end of the 1440s by a French immigrant, Carlo di Monlione.
Text from: www.metmuseum.org/collection/the-collection-online/search/193569
Reliquary Casket in the Boston Museum of Fine Arts…
26 Mar 2011 |
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Reliquary casket ("Emly Shrine")
late 7th–early 8th century
Place of Manufacture: Ireland
Dimensions: 9.2 x 4.1 x 10.5 cm (3 5/8 x 1 5/8 x 4 1/8 in.)
Material: Champlevé enamel on bronze over yew wood; gilt bronze moldings, inlay of lead-tin alloy
Classification: Enamels
Accession Number: 52.1396
On view in the Catalonian Chapel Gallery, in honor of I. W. Colburn - 254A
Made to hold the sacred relics of a saint (often parts of the saint’s body), Irish house-shaped reliquaries have been discovered as far away as Norway and Italy—carried there by Irish pilgrims or Viking raiders. This one, however, was found in Ireland and is named for its nineteenth century owner, Lord Emly of Limerick. It is quite tiny and was probably hung from the neck or shoulder of its owner as a source of protection and spiritual strength.
Text from: www.mfa.org/collections/object/reliquary-casket-emly-shri...
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