LaurieAnnie's photos with the keyword: GrantWood

Artist: Grant Wood (American, 1892–1942) Title: The Midnight Ride of Paul Revere Date: 1931 Medium: Oil on Masonite Dimensions: H. 30, W. 40 in. (76.2 x 101.6 cm) Classification: Paintings Credit Line: Arthur Hoppock Hearn Fund, 1950 Accession Number: 50.117 Rights and Reproduction: © Estate of Grant Wood/Licensed VAGA, New York, NY Text from: www.metmuseum.org/works_of_art/collection_database/modern... and As a leading Regionalist painter during the 1930s and 1940s (along with Thomas Hart Benton and John Steurat Curry), Wood celebrated traditional American values through his depictions of the American landscape, history, and country life. His painting style– influenced by his study of German Neue Sachlickeit (New Objectivity) and Flemish portraits– was deliberately naive and folksy, in contrast to the prevailing trends toward modernism and abstraction. This bird's-eye view shows a New England town on the historic night of April 18, 1775– the start of the Revolutionary War. Paul Revere on his horse (lower left) can be seen riding out to warn the colonists of the approach of the British. Text from the Metropolitan Museum of Art label.

Artist: Grant Wood (American, 1892–1942) Title: The Midnight Ride of Paul Revere Date: 1931 Medium: Oil on Masonite Dimensions: H. 30, W. 40 in. (76.2 x 101.6 cm) Classification: Paintings Credit Line: Arthur Hoppock Hearn Fund, 1950 Accession Number: 50.117 Rights and Reproduction: © Estate of Grant Wood/Licensed VAGA, New York, NY Text from: www.metmuseum.org/works_of_art/collection_database/modern... and As a leading Regionalist painter during the 1930s and 1940s (along with Thomas Hart Benton and John Steurat Curry), Wood celebrated traditional American values through his depictions of the American landscape, history, and country life. His painting style– influenced by his study of German Neue Sachlickeit (New Objectivity) and Flemish portraits– was deliberately naive and folksy, in contrast to the prevailing trends toward modernism and abstraction. This bird's-eye view shows a New England town on the historic night of April 18, 1775– the start of the Revolutionary War. Paul Revere on his horse (lower left) can be seen riding out to warn the colonists of the approach of the British. Text from the Metropolitan Museum of Art label.

Artist: Grant Wood (American, 1892–1942) Title: The Midnight Ride of Paul Revere Date: 1931 Medium: Oil on Masonite Dimensions: H. 30, W. 40 in. (76.2 x 101.6 cm) Classification: Paintings Credit Line: Arthur Hoppock Hearn Fund, 1950 Accession Number: 50.117 Rights and Reproduction: © Estate of Grant Wood/Licensed VAGA, New York, NY Text from: www.metmuseum.org/works_of_art/collection_database/modern... and As a leading Regionalist painter during the 1930s and 1940s (along with Thomas Hart Benton and John Steurat Curry), Wood celebrated traditional American values through his depictions of the American landscape, history, and country life. His painting style– influenced by his study of German Neue Sachlickeit (New Objectivity) and Flemish portraits– was deliberately naive and folksy, in contrast to the prevailing trends toward modernism and abstraction. This bird's-eye view shows a New England town on the historic night of April 18, 1775– the start of the Revolutionary War. Paul Revere on his horse (lower left) can be seen riding out to warn the colonists of the approach of the British. Text from the Metropolitan Museum of Art label.