LaurieAnnie's photos with the keyword: Guardi

The Antechamber of the Sala del Maggior Consiglio Francesco Guardi (Italian, Venice 1712–1793 Venice) Date: ca. 1755–65 Medium: Oil on canvas Dimensions: 13 3/8 x 20 in. (34 x 50.8 cm) Classification: Paintings Credit Line: Bequest of Lore Heinemann, in memory of her husband, Dr. Rudolf J. Heinemann, 1996 Accession Number: 1997.117.4 Catalogue Entry: The Venetian views and imaginary lagoon subjects for which Francesco Guardi is justly famous have for long been well represented in the Metropolitan Museum. The artist also painted a few interiors, which are of a sort more commonly associated with his near-contemporary Pietro Longhi (1702–1785), by whom he was probably influenced. This small picture is one of a pair (see also 1997.117.5) and both are exceptionally scenographic and informative about Venetian public life. The Sala del Maggior Consiglio at Palazzo Ducale is the largest public space in Venice and one of the largest in western Europe. There, hundreds of the the roughly 2,000 members of the aristocracy eligible to participate in the government of the republic met in assembly. The antechamber shown in the present small painting is the Liagò, an L-shaped room whose long side runs beside the council chamber and whose short side, with two huge Gothic windows, fronts on St. Mark’s basin. The room, with its marble door frames and high beamed and painted ceiling, is little changed and can still be visited. Guardi telescoped the space but otherwise represented it accurately. Long robes and flowing wigs designate public officials, while petitioners and other visitors are in street dress, some with swords, and wearing white silk stockings, black hair ribbons, and black tricorne hats. The composition exists in a larger version (private collection), with some differences in the dress and scale of the figures [see Ref. Morassi 1973, vol. 1, p. 353, no. 238; vol. 2, figs. 260–61]. The larger version is also signed, on the base of the column at left, and may be earlier in date, perhaps from the 1750s.[2011] Gallery Label: A pendant to The Ridotto, this view shows Venetian officials and petitioners outside the principal council chamber of the Palazzo Ducale. The space has been telescoped but otherwise is accurately depicted. The painting, which is signed, may date from about 1765. Text from: www.metmuseum.org/Collections/search-the-collections/1100...

The Antechamber of the Sala del Maggior Consiglio Francesco Guardi (Italian, Venice 1712–1793 Venice) Date: ca. 1755–65 Medium: Oil on canvas Dimensions: 13 3/8 x 20 in. (34 x 50.8 cm) Classification: Paintings Credit Line: Bequest of Lore Heinemann, in memory of her husband, Dr. Rudolf J. Heinemann, 1996 Accession Number: 1997.117.4 Catalogue Entry: The Venetian views and imaginary lagoon subjects for which Francesco Guardi is justly famous have for long been well represented in the Metropolitan Museum. The artist also painted a few interiors, which are of a sort more commonly associated with his near-contemporary Pietro Longhi (1702–1785), by whom he was probably influenced. This small picture is one of a pair (see also 1997.117.5) and both are exceptionally scenographic and informative about Venetian public life. The Sala del Maggior Consiglio at Palazzo Ducale is the largest public space in Venice and one of the largest in western Europe. There, hundreds of the the roughly 2,000 members of the aristocracy eligible to participate in the government of the republic met in assembly. The antechamber shown in the present small painting is the Liagò, an L-shaped room whose long side runs beside the council chamber and whose short side, with two huge Gothic windows, fronts on St. Mark’s basin. The room, with its marble door frames and high beamed and painted ceiling, is little changed and can still be visited. Guardi telescoped the space but otherwise represented it accurately. Long robes and flowing wigs designate public officials, while petitioners and other visitors are in street dress, some with swords, and wearing white silk stockings, black hair ribbons, and black tricorne hats. The composition exists in a larger version (private collection), with some differences in the dress and scale of the figures [see Ref. Morassi 1973, vol. 1, p. 353, no. 238; vol. 2, figs. 260–61]. The larger version is also signed, on the base of the column at left, and may be earlier in date, perhaps from the 1750s.[2011] Gallery Label: A pendant to The Ridotto, this view shows Venetian officials and petitioners outside the principal council chamber of the Palazzo Ducale. The space has been telescoped but otherwise is accurately depicted. The painting, which is signed, may date from about 1765. Text from: www.metmuseum.org/Collections/search-the-collections/1100...

Artist: Francesco Guardi (Italian, Venice 1712–1793 Venice) Title: Fantastic Landscape Date: probably 1760s Medium: Oil on canvas Dimensions: Irregular, 61 1/4 x 107 1/2 in. (155.6 x 273.1 cm) Classification: Paintings Credit Line: Rogers Fund, 1941 Accession Number: 41.80 Gallery Label: The three irregularly shaped imaginary views in this gallery come from a castle of Colloredo, near Udine, where they were installed in an eighteenth-century drawing room. Probably painted in the 1760s they are among Guardi's finest landscapes. He himself made changes in the format of all three paintings, the height of the present painting being increased. The touch is delicate, the handling broad, and the colors transparent. Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...

Artist: Francesco Guardi (Italian, Venice 1712–1793 Venice) Title: Fantastic Landscape Date: probably 1760s Medium: Oil on canvas Dimensions: Irregular, 61 1/4 x 107 1/2 in. (155.6 x 273.1 cm) Classification: Paintings Credit Line: Rogers Fund, 1941 Accession Number: 41.80 Gallery Label: The three irregularly shaped imaginary views in this gallery come from a castle of Colloredo, near Udine, where they were installed in an eighteenth-century drawing room. Probably painted in the 1760s they are among Guardi's finest landscapes. He himself made changes in the format of all three paintings, the height of the present painting being increased. The touch is delicate, the handling broad, and the colors transparent. Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...

The Grand Canal above the Rialto Francesco Guardi (Italian, Venice 1712–1793 Venice) Medium: Oil on canvas Dimensions: 21 x 33 3/4 in. (53.3 x 85.7 cm) Classification: Paintings Credit Line: Purchase, 1871 Accession Number: 71.119 Gallery Label: Here Guardi shows the bridge of the Rialto with the Palazzo dei Camerlenghi and the vegetable market on the right. He has created an effect of snapshot-like immediacy by arbitrarily cropping the buildings at the left. The canvas dates to the 1760s and is a pendant of the view of "Santa Maria della Salute" (71.120). Text from: www.metmuseum.org/Collections/search-the-collections/1100...

Artist: Francesco Guardi (Italian, Venice 1712–1793 Venice) Title: Fantastic Landscape Date: probably 1760s Medium: Oil on canvas Dimensions: Irregular, 61 1/4 x 107 1/2 in. (155.6 x 273.1 cm) Classification: Paintings Credit Line: Rogers Fund, 1941 Accession Number: 41.80 Gallery Label: The three irregularly shaped imaginary views in this gallery come from a castle of Colloredo, near Udine, where they were installed in an eighteenth-century drawing room. Probably painted in the 1760s they are among Guardi's finest landscapes. He himself made changes in the format of all three paintings, the height of the present painting being increased. The touch is delicate, the handling broad, and the colors transparent. Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...

The Grand Canal above the Rialto Francesco Guardi (Italian, Venice 1712–1793 Venice) Medium: Oil on canvas Dimensions: 21 x 33 3/4 in. (53.3 x 85.7 cm) Classification: Paintings Credit Line: Purchase, 1871 Accession Number: 71.119 Gallery Label: Here Guardi shows the bridge of the Rialto with the Palazzo dei Camerlenghi and the vegetable market on the right. He has created an effect of snapshot-like immediacy by arbitrarily cropping the buildings at the left. The canvas dates to the 1760s and is a pendant of the view of "Santa Maria della Salute" (71.120). Text from: www.metmuseum.org/Collections/search-the-collections/1100...

The Grand Canal above the Rialto Francesco Guardi (Italian, Venice 1712–1793 Venice) Medium: Oil on canvas Dimensions: 21 x 33 3/4 in. (53.3 x 85.7 cm) Classification: Paintings Credit Line: Purchase, 1871 Accession Number: 71.119 Gallery Label: Here Guardi shows the bridge of the Rialto with the Palazzo dei Camerlenghi and the vegetable market on the right. He has created an effect of snapshot-like immediacy by arbitrarily cropping the buildings at the left. The canvas dates to the 1760s and is a pendant of the view of "Santa Maria della Salute" (71.120). Text from: www.metmuseum.org/Collections/search-the-collections/1100...