LaurieAnnie's photos with the keyword: Ashkanian

Head of a Woman Limestone Syria, Palmyra 2nd-3rd century AD Accession # 65.77, On Loan to the Department of Ancient Near Eastern Art from the Department of Greek & Roman Art. From the first century BC, the oasis city of Palmyra, in the northern Syrian desert, controlled most of the caravan trade routes from the East to the Mediterranean seacoast. Originally an independent Arabian principality, it became successively a vassal state, a free city, and a colony under under Roman control. Lavishly decorated temples and processional streets provide evidence of the wealth of the city. The sculptures exhibited here come from impressive stone funerary monuments. Family vaults contained multiple burials in stone boxes sealed with relief images of the deceased. The figural style as well as the divine and human images and symbols reflect the mixed Greek, Syrian, and Iranian Parthian culture of the inhabitants. Text from the Metropolitan Museum of Art label.

Rhyton terminating in the forepart of a wild cat, 1st century B.C.–1st century A.D.; Parthian period Iran Gilded silver; H. 10 13/16 in. (27.5 cm) Purchase, Rogers Fund, Enid A. Haupt, Mrs. Donald M. Oenslager, Mrs. Muriel Palitz and Geert C.E. Prins Gifts; Pauline V. Fullerton Bequest; and Bequests of Mary Cushing Fosburgh, Edward C. Moore and Stephen Whitney Phoenix, by exchange, 1979 (1979.447) Elaborate bowls, animal-headed drinking vessels, and rhytons—vessels with a hole at the front from which liquid flows—were highly valued in ancient Near Eastern society. During the pre-Achaemenid, Achaemenid, and Parthian periods, examples made of silver, gold, and clay were used throughout a vast area extending both to the east and west of Iran. The animals on these vessels included the ram, horse, bull, ibex, supernatural creatures, and female divinities; some were engraved with royal inscriptions. Rhytons made of precious materials were probably luxury wares used at royal courts. Both the rhyton and the animal-headed vessel were adopted by the Greek world as exotic and prestigious Oriental products. Dating from the Parthian period, this silver rhyton is a fine example of the enduring influence of Hellenistic culture, which owes much to the artistic traditions of Achaemenid Iran. The horn-shaped vessel ends in the forepart of a wild cat; a spout for pouring is in the middle of its chest. A gilded fruit-laden grapevine winds around the animal's chest; at the other end of the rhyton, an ivy wreath encircles the rim. These are the symbols of the Greek god of wine Dionysos, whose cult spread eastward with the invasion of Alexander. Dionysiac images—wild felines, grapevines, and dancing females—were absorbed by the Parthians and continued to appear in the art of Near Eastern cultures in the later Sasanian period (224–651). Text from: www.metmuseum.org/toah/ho/05/wai/ho_1979.447.htm