LaurieAnnie's photos with the keyword: Ketos
Marble Table Base with the Story of Jonah in the M…
05 Oct 2007 |
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Marble Table Base with the Story of Jonah
Roman; found in 1876 at Tarsos (modern Tarsus in Southern Turkey)
Carved early 300s
Accession # 77.7
This table base, part of a table for funerary feasts held at gravesites, displays an Old Testament story (Jonah 1:12- 2:10) and features a rare detailed depiction of a Roman merchant ship. Jonah is swallowed by a ketos, a legendary sea-monster of the classical world. Tarsos, the birthplace of Saint Paul, was an important Christian city. The story of Jonah was probably meant to be a foretelling of the Resurrection of Christ, as is indicated in the Gospel of Matthew (12:40).
Text from the Metropolitan Museum of Art label.
Landscape with Perseus and Andromeda: From the "My…
02 Dec 2007 |
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Landscape with Perseus and Andromeda: From the "Mythological Room" of the Imperial Villa at Boscotrecase, last decade of 1st century B.C.; Augustan
Roman
Wall painting; Fresco: 62 3/4 x 46 3/4 in. (159.39 x 118.75 cm)
Rogers Fund, 1920 (20.192.16)
This fresco from the Imperial villa at Boscotrecase depicts two consecutive events from the myth of Perseus and Andromeda. Perseus is about to rescue Andromeda from the ketos, a snaky sea monster painted in a brilliant blue-green palette. The creature raises his head with gigantic open jaws and frightful teeth toward Andromeda, who stands with outstretched arms in the center of the panel. One hand appears to be chained to the crag; the other elegantly placed on the rocks. Perseus flies in from the left with his lyre in one hand, winged shoes on his feet, and a windblown cloak over his shoulder. In the upper right portion of the fresco, he is greeted by Andromeda's grateful father, a scene that alludes to the myth's happy ending–the marriage of hero and princess.
The fortunes of love and the ever-present sea are the themes that link this fresco and that of Polyphemus and Galatea (20.192.17) from the same cubiculum at Boscotrecase. The translucent blue-green background of both frescoes also unifies the disparate episodes combined in each painting, and must have brought a sense of coolness to the room.
Text from: www.metmuseum.org/toah/hd/bsco/hod_20.192.16.htm
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