LaurieAnnie's photos with the keyword: Bosch

Detail of The Adoration of the Magi by Bosch in th…

30 Nov 2014 361
The Adoration of the Magi Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch) Date: ca. 1470–75 Medium: Oil and gold on wood Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm) Classification: Paintings Credit Line: John Stewart Kennedy Fund, 1913 Accession Number: 13.26 Label: Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master. The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch. Text from: www.metmuseum.org/collection/the-collection-online/search/435724

Detail of The Adoration of the Magi by Bosch in th…

30 Nov 2014 355
The Adoration of the Magi Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch) Date: ca. 1470–75 Medium: Oil and gold on wood Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm) Classification: Paintings Credit Line: John Stewart Kennedy Fund, 1913 Accession Number: 13.26 Label: Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master. The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch. Text from: www.metmuseum.org/collection/the-collection-online/search/435724

The Adoration of the Magi by Bosch in the Metropol…

30 Nov 2014 1046
The Adoration of the Magi Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch) Date: ca. 1470–75 Medium: Oil and gold on wood Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm) Classification: Paintings Credit Line: John Stewart Kennedy Fund, 1913 Accession Number: 13.26 Label: Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master. The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch. Text from: www.metmuseum.org/collection/the-collection-online/search/435724

Detail of The Adoration of the Magi by Bosch in th…

30 Nov 2014 1 395
The Adoration of the Magi Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch) Date: ca. 1470–75 Medium: Oil and gold on wood Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm) Classification: Paintings Credit Line: John Stewart Kennedy Fund, 1913 Accession Number: 13.26 Label: Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master. The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch. Text from: www.metmuseum.org/collection/the-collection-online/search/435724

Detail of The Adoration of the Magi by Bosch in th…

30 Nov 2014 412
The Adoration of the Magi Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch) Date: ca. 1470–75 Medium: Oil and gold on wood Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm) Classification: Paintings Credit Line: John Stewart Kennedy Fund, 1913 Accession Number: 13.26 Label: Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master. The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch. Text from: www.metmuseum.org/collection/the-collection-online/search/435724

Detail of The Adoration of the Magi by Bosch in th…

30 Nov 2014 319
The Adoration of the Magi Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch) Date: ca. 1470–75 Medium: Oil and gold on wood Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm) Classification: Paintings Credit Line: John Stewart Kennedy Fund, 1913 Accession Number: 13.26 Label: Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master. The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch. Text from: www.metmuseum.org/collection/the-collection-online/search/435724