LaurieAnnie's photos with the keyword: Bosch
Detail of The Adoration of the Magi by Bosch in th…
30 Nov 2014 |
|
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
Detail of The Adoration of the Magi by Bosch in th…
30 Nov 2014 |
|
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
The Adoration of the Magi by Bosch in the Metropol…
30 Nov 2014 |
|
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
Detail of The Adoration of the Magi by Bosch in th…
30 Nov 2014 |
|
|
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
Detail of The Adoration of the Magi by Bosch in th…
30 Nov 2014 |
|
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
Detail of The Adoration of the Magi by Bosch in th…
30 Nov 2014 |
|
The Adoration of the Magi
Artist: Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch)
Date: ca. 1470–75
Medium: Oil and gold on wood
Dimensions: 28 x 22 1/4 in. (71.1 x 56.5 cm)
Classification: Paintings
Credit Line: John Stewart Kennedy Fund, 1913
Accession Number: 13.26
Label:
Technical examination of numerous works by Hieronymus Bosch has allowed for the reconsideration of his oeuvre. Long thought to be a later pastiche, this panel can now be placed among Bosch's earliest autograph works. The salient features of its underdrawing, the tunnel-like perspective, and certain of the rather wooden figure types with sensitively rendered faces are closely related to other early paintings by the master.
The stage-like setting of the scene with a curtain held aloft by angels might indicate that the composition was influenced by religious plays, which were performed in Bosch’s hometown of ‘s-Hertogenbosch.
Text from: www.metmuseum.org/collection/the-collection-online/search/435724
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