LaurieAnnie's photos with the keyword: Daumier
The Studio by Daumier in the Getty Center, June 20…
Detail of The Studio by Daumier in the Getty Cente…
Third Class Carriage by Daumier in the Metropolita…
30 Nov 2014 |
|
The Third-Class Carriage
Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois)
Date: ca. 1862–64
Medium: Oil on canvas
Dimensions: 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)
Classification: Paintings
Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.129
Label:
As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, he amplifies the subject of a lithograph made some ten years earlier: the hardship and quiet fortitude of third-class railway travelers. Bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. Unfinished and squared for transfer, this picture closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore) and a roughly contemporary oil (National Gallery of Canada, Ottawa), but the sequence of the compositions remains unresolved.
Text from: www.metmuseum.org/collection/the-collection-online/search/436095
Detail of Third Class Carriage by Daumier in the M…
30 Nov 2014 |
|
The Third-Class Carriage
Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois)
Date: ca. 1862–64
Medium: Oil on canvas
Dimensions: 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)
Classification: Paintings
Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.129
Label:
As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, he amplifies the subject of a lithograph made some ten years earlier: the hardship and quiet fortitude of third-class railway travelers. Bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. Unfinished and squared for transfer, this picture closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore) and a roughly contemporary oil (National Gallery of Canada, Ottawa), but the sequence of the compositions remains unresolved.
Text from: www.metmuseum.org/collection/the-collection-online/search/436095
Detail of Third Class Carriage by Daumier in the M…
30 Nov 2014 |
|
The Third-Class Carriage
Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois)
Date: ca. 1862–64
Medium: Oil on canvas
Dimensions: 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)
Classification: Paintings
Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.129
Label:
As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, he amplifies the subject of a lithograph made some ten years earlier: the hardship and quiet fortitude of third-class railway travelers. Bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. Unfinished and squared for transfer, this picture closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore) and a roughly contemporary oil (National Gallery of Canada, Ottawa), but the sequence of the compositions remains unresolved.
Text from: www.metmuseum.org/collection/the-collection-online/search/436095
Detail of The Uprising by Daumier in the Phillips…
20 Mar 2011 |
|
Daumier, Honoré, The Uprising (L'Emeute), 1848 or later, Oil on canvas; 34 1/2 x 44 1/2 in.; 87.63 x 113.03 cm.. Acquired 1925. Paintings, 0384, French. possible owner. On display in Goh Annex, Gal 204.
Text from the Phillips Collection website.
The Uprising by Daumier in the Phillips Collection…
20 Mar 2011 |
|
Daumier, Honoré, The Uprising (L'Emeute), 1848 or later, Oil on canvas; 34 1/2 x 44 1/2 in.; 87.63 x 113.03 cm.. Acquired 1925. Paintings, 0384, French. possible owner. On display in Goh Annex, Gal 204.
Text from the Phillips Collection website.
Detail of Two Sculptors by Daumier in the Phillips…
18 Mar 2011 |
|
Daumier, Honoré, Two Sculptors, 1870 -- 1873, Oil on wood panel; 10 1/2 x 14 in.; 26.67 x 35.56 cm.. Acquired 1925. Paintings, 0383, French. acquired by 1904. On display in Goh Annex, Gal 203.
Text from the Phillips Collection website.
Two Sculptors by Daumier in the Phillips Collectio…
18 Mar 2011 |
|
Daumier, Honoré, Two Sculptors, 1870 -- 1873, Oil on wood panel; 10 1/2 x 14 in.; 26.67 x 35.56 cm.. Acquired 1925. Paintings, 0383, French. acquired by 1904. On display in Goh Annex, Gal 203.
Text from the Phillips Collection website.
Detail of The Strong Man by Daumier in the Phillip…
21 Mar 2011 |
|
Daumier, Honoré, The Strong Man, circa 1865, Oil on wood panel; 10 5/8 x 13 7/8 in.; 26.9875 x 35.2425 cm.. Acquired 1928. Paintings, 0380, French. acquired by 1878; sale at Hotel Drouot, Paris, 6/10/1898, no. 23; sale Paris,.... On display in Goh Annex, Gal 203.
Text from: www.phillipscollection.org/search/index.aspx?sp_a=sp1003b...
The Strong Man by Daumier in the Phillips Collecti…
21 Mar 2011 |
|
Daumier, Honoré, The Strong Man, circa 1865, Oil on wood panel; 10 5/8 x 13 7/8 in.; 26.9875 x 35.2425 cm.. Acquired 1928. Paintings, 0380, French. acquired by 1878; sale at Hotel Drouot, Paris, 6/10/1898, no. 23; sale Paris,.... On display in Goh Annex, Gal 203.
Text from: www.phillipscollection.org/search/index.aspx?sp_a=sp1003b...
Detail of Three Lawyers by Daumier in the Phillips…
20 Mar 2011 |
|
Daumier, Honoré, Three Lawyers, 1855 -- 1857, Oil on canvas; 16 x 12 3/4 in.; 40.64 x 32.385 cm.. Acquired 1920. Paintings, 0381, French. acquired by 1878; acquired by 1888. On display in Goh Annex, Gal 204.
Text from the Philllips Collection website.
Three Lawyers by Daumier in the Phillips Collectio…
20 Mar 2011 |
|
Daumier, Honoré, Three Lawyers, 1855 -- 1857, Oil on canvas; 16 x 12 3/4 in.; 40.64 x 32.385 cm.. Acquired 1920. Paintings, 0381, French. acquired by 1878; acquired by 1888. On display in Goh Annex, Gal 204.
Text from the Philllips Collection website.
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