LaurieAnnie's photos with the keyword: dinos

Bowl (dinos) depicting athletes training Manner of the Dinos Painter Greek Classical Period about 430–420 B.C. Place of Manufacture: Greece, Attica, Athens Medium/Technique: Ceramic, Red Figure Dimensions: Overall: 21.5 x 30 x 21.5 cm (8 7/16 x 11 13/16 x 8 7/16 in.) Diameter: 27.7cm (10 7/8in.) Credit Line: Catharine Page Perkins Fund Accession Number: 96.720 Collections: Ancient Greece and Rome Classifications: Vessels Description: Nude youths practice the javelin, boxing, long jump, and the discus throw. Two trainers wearing mantles and holding sticks observe them. A musician, playing a double-pipe (aulos) and wearing a sleeveless patterned tunic over a long-sleeved, similarly-patterned tunic, provides a rhythm for a javelin thrower. A cheek-strap (phorbeia) supports his instrument. Behind the musician, a starting post is painted white, probably to indicate stone. [Label text]: A group of eleven youths train for athletic activities on the side of this dinos, while another youth plays the double-flute. Provenance: By date unknown: with Edward Perry Warren (according to Warren's records: "Can be traced to Athens."); purchased by MFA from Edward Perry Warren, October 1896 Text from: collections.mfa.org/objects/153889/bowl-dinos-depicting-athletes-training

Bowl (dinos) depicting athletes training Manner of the Dinos Painter Greek Classical Period about 430–420 B.C. Place of Manufacture: Greece, Attica, Athens Medium/Technique: Ceramic, Red Figure Dimensions: Overall: 21.5 x 30 x 21.5 cm (8 7/16 x 11 13/16 x 8 7/16 in.) Diameter: 27.7cm (10 7/8in.) Credit Line: Catharine Page Perkins Fund Accession Number: 96.720 Collections: Ancient Greece and Rome Classifications: Vessels Description: Nude youths practice the javelin, boxing, long jump, and the discus throw. Two trainers wearing mantles and holding sticks observe them. A musician, playing a double-pipe (aulos) and wearing a sleeveless patterned tunic over a long-sleeved, similarly-patterned tunic, provides a rhythm for a javelin thrower. A cheek-strap (phorbeia) supports his instrument. Behind the musician, a starting post is painted white, probably to indicate stone. [Label text]: A group of eleven youths train for athletic activities on the side of this dinos, while another youth plays the double-flute. Provenance: By date unknown: with Edward Perry Warren (according to Warren's records: "Can be traced to Athens."); purchased by MFA from Edward Perry Warren, October 1896 Text from: collections.mfa.org/objects/153889/bowl-dinos-depicting-athletes-training

Title: Terracotta dinos (deep round-bottomed bowl) Medium; Technique: Terracotta; black-figure Culture: Etruscan Period: Archaic Date: late 6th century B.C. Artist or Maker: Attributed to the Campana Dinoi, Ribbon Painter Dimensions: H. 8 5/16 in. (21.1 cm) Classification: Vases Credit Line: Gift of Dietrich von Bothmer, 1971 Accession Number: 1971.259a–c Description: Satyrs reveling Campana dinoi frequently depict dancing men or satyrs, subjects appropriate for wine-mixing vessels. They are likely the products of Etruscanized East Greek artists who set up workshops in Southern Etruria in the late sixth century B.C. The style derives its name from the Marchese Giovanni Campana (1808-1880), an Italian banker, amateur archaeologist, and collector, who once owned several examples. Text from: www.metmuseum.org/Works_of_Art/collection_database/greek_...

Dinos (mixing bowl), ca. 630–615 B.C. Attributed to the Polyteleia Painter Greek, Corinthian (Transitional Period) Terracotta; Diam. 12 in. (30.5 cm) Purchase, The Bothmer Purchase Fund and Louis V. Bell Fund, 1997 (1997.36) The finest vases from the region of Corinth are generally datable to the seventh century B.C. This dinos, a bowl for the mixing of wine and water, is decorated with panthers, sphinxes, goats, and lions in two horizontal bands. Each beast stands distinct from the other, marching in measured rhythm with rosettes and scrolls scattered around them. The images and design derive from Near Eastern traditions. Text from: www.metmuseum.org/toah/hd/argk/ho_1997.36.htm

Mixing Vessel with Triptolemos Greek, made in Athens, about 470 BC Terracotta Red-figured footed dinos attributed to the Syleus Painter Inventory # 89.AE.73 Triptolemos, a prince of the city of Eleusis, sits in a fabulous winged snake-drawn chariot. Demeter, who appears behind him with stalks of wheat, gave him the chariot so that he could spread the knowledge of grain cultivation across the world. Her daughter Kore (also called Persephone), stands before him, presenting him with a liquid offering to wish him well on his journey. Text from the Getty Villa museum label.

Mixing Vessel with Triptolemos Greek, made in Athens, about 470 BC Terracotta Red-figured footed dinos attributed to the Syleus Painter Inventory # 89.AE.73 Triptolemos, a prince of the city of Eleusis, sits in a fabulous winged snake-drawn chariot. Demeter, who appears behind him with stalks of wheat, gave him the chariot so that he could spread the knowledge of grain cultivation across the world. Her daughter Kore (also called Persephone), stands before him, presenting him with a liquid offering to wish him well on his journey. Text from the Getty Villa museum label.

Mixing Vessel with Triptolemos Greek, made in Athens, about 470 BC Terracotta Red-figured footed dinos attributed to the Syleus Painter Inventory # 89.AE.73 Triptolemos, a prince of the city of Eleusis, sits in a fabulous winged snake-drawn chariot. Demeter, who appears behind him with stalks of wheat, gave him the chariot so that he could spread the knowledge of grain cultivation across the world. Her daughter Kore (also called Persephone), stands before him, presenting him with a liquid offering to wish him well on his journey. Text from the Getty Villa museum label.

Mixing Vessel with Triptolemos Greek, made in Athens, about 470 BC Terracotta Red-figured footed dinos attributed to the Syleus Painter Inventory # 89.AE.73 Triptolemos, a prince of the city of Eleusis, sits in a fabulous winged snake-drawn chariot. Demeter, who appears behind him with stalks of wheat, gave him the chariot so that he could spread the knowledge of grain cultivation across the world. Her daughter Kore (also called Persephone), stands before him, presenting him with a liquid offering to wish him well on his journey. Text from the Getty Villa museum label.