LaurieAnnie's photos with the keyword: river

The Quattro Fontane (the Four Fountains) is an ensemble of four Late Renaissance fountains located at the intersection of Via delle Quattro Fontane and Via del Quirinale in Rome. They were commissioned by Pope Sixtus V and built at the direction of Muzio Mattei, and were installed between 1588 and 1593. The figure of one fountain is said to represent the River Tiber, in front of an oak-tree; a she-wolf, the symbol of Rome, was a later addition. A second fountain represents the River Aniene, a tributary of the Tiber, called Anio in ancient Rome, which provided most Roman aqueducts with water. Pope Sixtus proposed to build a canal to bring the water of the Aniene to Rome. The other two fountains feature female figures believed to represent the Goddess Diana; the symbol of Chastity; and the Goddess Juno, the symbol of Strength, but it is possible that they may also represent rivers. The fountains of the Aniene, Tiber, and Juno are the work of Domenico Fontana. The fountain of Diana was designed by the painter and architect Pietro da Cortona. Text from: en.wikipedia.org/wiki/Quattro_Fontane

The Quattro Fontane (the Four Fountains) is an ensemble of four Late Renaissance fountains located at the intersection of Via delle Quattro Fontane and Via del Quirinale in Rome. They were commissioned by Pope Sixtus V and built at the direction of Muzio Mattei, and were installed between 1588 and 1593. The figure of one fountain is said to represent the River Tiber, in front of an oak-tree; a she-wolf, the symbol of Rome, was a later addition. A second fountain represents the River Aniene, a tributary of the Tiber, called Anio in ancient Rome, which provided most Roman aqueducts with water. Pope Sixtus proposed to build a canal to bring the water of the Aniene to Rome. The other two fountains feature female figures believed to represent the Goddess Diana; the symbol of Chastity; and the Goddess Juno, the symbol of Strength, but it is possible that they may also represent rivers. The fountains of the Aniene, Tiber, and Juno are the work of Domenico Fontana. The fountain of Diana was designed by the painter and architect Pietro da Cortona. Text from: en.wikipedia.org/wiki/Quattro_Fontane

The Quattro Fontane (the Four Fountains) is an ensemble of four Late Renaissance fountains located at the intersection of Via delle Quattro Fontane and Via del Quirinale in Rome. They were commissioned by Pope Sixtus V and built at the direction of Muzio Mattei, and were installed between 1588 and 1593. The figure of one fountain is said to represent the River Tiber, in front of an oak-tree; a she-wolf, the symbol of Rome, was a later addition. A second fountain represents the River Aniene, a tributary of the Tiber, called Anio in ancient Rome, which provided most Roman aqueducts with water. Pope Sixtus proposed to build a canal to bring the water of the Aniene to Rome. The other two fountains feature female figures believed to represent the Goddess Diana; the symbol of Chastity; and the Goddess Juno, the symbol of Strength, but it is possible that they may also represent rivers. The fountains of the Aniene, Tiber, and Juno are the work of Domenico Fontana. The fountain of Diana was designed by the painter and architect Pietro da Cortona. Text from: en.wikipedia.org/wiki/Quattro_Fontane

Zürich is the largest city in Switzerland (population: 366,145 in 2004; population of urban area: 1,091,732) and capital of the canton of Zürich. The metropolitan population is around 1.3 million. The city is Switzerland's main commercial and cultural centre (the political capital of Switzerland being Bern), and is widely considered to be one of the world's global cities. According to a survey in 2006, it is the city with the best quality of life in the world. Text from: en.wikipedia.org/wiki/Z%c3%bcrich

Artist: Claude Monet (French, 1840–1926) Title: The Seine at Vétheuil Date: 1880 Medium: Oil on canvas Dimensions: 23 3/4 x 39 1/2 in. (60.3 x 100.3 cm) Classification: Paintings Credit Line: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 Accession Number: 30.95.271 Not On View Gallery Label: The extreme horizontality, the sweeping arc of the riverbank, and the types of the brushstrokes used in the foreground and sky of this painting are characteristc of Monet's work of the early 1880s. Monet had abandoned his Impressionist manner of the previous decade and had begun to experiment with new compositional formats, a different palette, and a variety of brushstrokes and surface effects. Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...