LaurieAnnie's photos with the keyword: snake
Snake at Casa Basso, July 2011
Votive Relief with Zeus Meilichios in the National…
Votive Relief with Zeus Meilichios in the National…
Brown and Yellow Snake in the Getty Villa, June 20…
24 Mar 2018 |
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Title: Snake
Artist/Maker: Unknown
Culture: Roman
Date: A.D. 1–100
Medium: Glass
Object Number: 2003.257
Dimensions: 36 × 2 cm (14 3/16 × 13/16 in.)
The surface of this undulating brown and yellow snake suggests its scaly form. A bulbous head and hooded eye also attests to the glassmaker's attention to detail. Placed on a flat surface, this creature served a decorative function.
Animals in antiquity stood as embodiments of virtues and values and also as guardians and companions. Many animal species were represented in sculpture and appear in frescos and mosaics. Snakes in iron, bronze, or even as gold bracelets, were common in the classical world. Because of the medium's fragility, very few glass snakes have survived. To make the snake, a glassmaker combined colored threads of glass into a colorless or lightly colored body. The completed body could then be shaped into a serpentine form.
Text from: www.getty.edu/art/collection/objects/221640/unknown-maker-snake-roman-ad-1-100
Brown and Yellow Snake in the Getty Villa, June 20…
24 Mar 2018 |
|
Title: Snake
Artist/Maker: Unknown
Culture: Roman
Date: A.D. 1–100
Medium: Glass
Object Number: 2003.257
Dimensions: 36 × 2 cm (14 3/16 × 13/16 in.)
The surface of this undulating brown and yellow snake suggests its scaly form. A bulbous head and hooded eye also attests to the glassmaker's attention to detail. Placed on a flat surface, this creature served a decorative function.
Animals in antiquity stood as embodiments of virtues and values and also as guardians and companions. Many animal species were represented in sculpture and appear in frescos and mosaics. Snakes in iron, bronze, or even as gold bracelets, were common in the classical world. Because of the medium's fragility, very few glass snakes have survived. To make the snake, a glassmaker combined colored threads of glass into a colorless or lightly colored body. The completed body could then be shaped into a serpentine form.
Text from: www.getty.edu/art/collection/objects/221640/unknown-maker-snake-roman-ad-1-100
Bronze Snake in the Metropolitan Museum of Art, Ap…
Bronze Snake in the Metropolitan Museum of Art, Ap…
Young Boy Playing with Serpents Mosaic in the Louv…
Detail of the Young Boy Playing with Serpents Mosa…
Detail of the Young Boy Playing with Serpents Mosa…
Young Boy Playing with Serpents Mosaic in the Louv…
Detail of the Bronze Figure of a Bearded Snake in…
Bronze Figure of a Bearded Snake in the British Mu…
Silver Lid (?) with a Serpent in the Metropolitan…
05 Oct 2009 |
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Lid (?) with a Serpent
Silver
Central Asia (Bactria- Margiana) or Southeastern Iran
Late 3rd- early 2nd millennium BC
Accession # 1989.281.42
Text from the Metropolitan Museum of Art label.
Sideshow Devil and Snake Charmer Mermaids at the C…
Sideshow Devil and Snake Charmer Mermaids at the C…
Bracelet in the Metropolitan Museum of Art, March…
20 Apr 2010 |
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Bracelet
Probably 1st century BC- 1st century AD
Gold
Accession # 23.2.1
Powerful talismans of fertility and good destiny are woven into this rich golden composition. The bodies of two snakes intertwine to form a Herakles knot, the centerpiece of this bracelet. The snake on the left represents Agathodaimon, and the cobra on the right Terenouthis, two agrarian/ fertility deities associated with Serapis and Isis, respectively. On the platform between them stand two goddesses, Isis-Tyche (or Isis-Fortuna), a deity closely associated with Alexandria, and the nude Aphrodite.
Text from the Metropolitan Museum of Art label.
Offering Stand from Beth Shean in the University o…
06 Aug 2010 |
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Offering Stand
Ceramic
Beth Shean, stratum V, south temple
Iron IB, 1150-1000 BCE
# 29-103-830
This offering stand is decorated with birds and snakes. These animals commonly appear on ritual objects throughout the eastern Mediterranean, though their symbolic significance remains unknown.
Text from the U. Penn. Museum label.
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