LaurieAnnie's photos with the keyword: prophet
Elijah in the Fiery Chariot in the Metropolitan Mu…
01 Dec 2011 |
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Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
Date: ca. 1520
Culture: Italian (Venice)
Medium: Bronze
Dimensions: Diameter 9-1/4 in. (23.5 cm.)
Classification: Sculpture-Bronze
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number: 17.190.1405
Text from: www.metmuseum.org/Collections/search-the-collections/1200...
The master is named for the reliefs with punched backgrounds that he made for the tomb of doges Marco and Agostino Barbarigo. The reliefs are now in Ca' d'Oro, Venice.
Text from the Metropolitan Museum of Art label.
Head of a Prophet in the Boston Museum of Fine Art…
26 Mar 2011 |
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Head of a Prophet
about 1300
Unidentified artist, Strasbourg
Object Place: Strasbourg
Dimensions: 36.5 x 23.5 x 25.4 cm (14 3/8 x 9 1/4 x 10 in.)
Material: Sandstone
Classification: Sculpture
Type: Figure
Accession Number: 56.506
Not on view
This deeply expressive head may come from the majestic Gothic cathedral in Strasbourg. Like many other churches, this cathedral was vandalized during the French Revolution, and sculptures were removed, destroyed, or decapitated. The pointed cap and the slightly open mouth indicate that the head represents a prophet, speaking his message. The face is sensitively carved, with furrowed brow, sunken cheeks, and pensive eyes conveying a strong personality.
Text from: www.mfa.org/collections/object/head-of-a-prophet-258584
Head of a Saint or a Prophet in the Boston Museum…
26 Mar 2011 |
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Head of a Saint or Prophet
about 1320–25
Tino di Camaino, Italian, about 1280–1337
Dimensions: 33.0 x 24.1 x 27.9 cm (13 x 9 1/2 x 11 in.)
Material: Stone; marble
Classification: Sculpture
Type: figure
Accession Number: 47.1447
On view in the Museum Council Gallery (Europe, 1000–1400 / Medieval) - 254
This head has recently been attributed to Tino di Camaino, a sculptor who worked in Siena, Florence, and Naples. It may be a fragment of a monumental sculpture that was once placed over a door to the baptistery in Florence. Although the nose is broken off, the fine working of the face and the deep drilling of the beard emphatically capture the character and expression of the figure, which would have been clearly legible to onlookers on the street below.
Text from: www.mfa.org/collections/object/head-of-a-saint-or-prophet...
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