LaurieAnnie's photos with the keyword: caryatid
St. Pancras Church in London, May 2014
St. Pancras Church in London, May 2014
St. Pancras Church in London, May 2014
Detail of a Caryatid from St. Pancras Church in Lo…
Caryatids on the Ateneum in Helsinki, April 2013
Caryatids on the Ateneum in Helsinki, April 2013
The Canopus in Hadrian's Villa, 2003
20 May 2006 |
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One of the most striking and best preserved parts of the Villa are a pool and an artificial grotto which were named Canopus and Serapeum, respectively. Canopus was an Egyptian city where a temple (Serapeum) was dedicated to the god Serapis. However, the architecture is Greek influenced (typical in Roman architecture of the High and Late Empire) as seen in the Corinthian columns and the copies of famous Greek statues that surround the pool. One anecdote involves Serapeum and its peculiarly-shaped dome. A prominent architect of the day, Apollodorus of Damascus, dismisses Hadrian's designs, comparing the dome on Serapeum to a "pumpkin". The full quote is "Go away and draw your pumpkins. You know nothing about these [architectural] matters." Once Hadrian became emperor, Apollodorus was exiled and later put to death.
Text from: en.wikipedia.org/wiki/Hadrian 's_Villa
Detail of a Wall Painting of a Caryatid from the P…
20 May 2006 |
|
Palazzo Massimo was built at the end of the nineteenth century as the part of a college. Today it forms part of the National Roman Museum. Exhibits are spread across four floors of the palace. On the ground floor is the Numismatic Section which holds fascinating examples of coinage and monetary systems from their origins in the eighth century B.C. to the introduction of the Euro. Included here are also several gems, jewels and jewellery of the Savoia collection and the section of Oreficeria, most of which served as funerary items. Among these is the mummified "Bambina di Grottarossa", a child found together with its doll. On the other three floors various works of art representing a broad range of classical sculpture are exhibited. These include a statue of Augustus, various Roman copies of Greek statues such as those as the famous "Discobolo Lancellotti", a sleeping Hermaphrodite, Venus about to take a bath, and Apollo which was copied from a fifth century B.C. Greek original in the workshops of Fidia. There is also a section of interesting bronzes. The final floor is dedicated to a wonderful collection of frescoes and mosaics, among them those of the triclinium of the villa of Livia and those of the villa Farnesina. Together these exhibits represent the themes and styles which existed from the first century B.C. to the fourth century A.D. and come from various locations around the city of Rome. Among the most interesting of these is a marbles in laid work representing the Sun God.
Text from: www.italytraveller.com/en/r/rome/c/palazzo-massimo
For more information (in Italian): www.archeorm.arti.beniculturali.it/sar2000/Museo_romano/P...
Detail of a Wall Painting of a Caryatid in the Pal…
20 May 2006 |
|
Palazzo Massimo was built at the end of the nineteenth century as the part of a college. Today it forms part of the National Roman Museum. Exhibits are spread across four floors of the palace. On the ground floor is the Numismatic Section which holds fascinating examples of coinage and monetary systems from their origins in the eighth century B.C. to the introduction of the Euro. Included here are also several gems, jewels and jewellery of the Savoia collection and the section of Oreficeria, most of which served as funerary items. Among these is the mummified "Bambina di Grottarossa", a child found together with its doll. On the other three floors various works of art representing a broad range of classical sculpture are exhibited. These include a statue of Augustus, various Roman copies of Greek statues such as those as the famous "Discobolo Lancellotti", a sleeping Hermaphrodite, Venus about to take a bath, and Apollo which was copied from a fifth century B.C. Greek original in the workshops of Fidia. There is also a section of interesting bronzes. The final floor is dedicated to a wonderful collection of frescoes and mosaics, among them those of the triclinium of the villa of Livia and those of the villa Farnesina. Together these exhibits represent the themes and styles which existed from the first century B.C. to the fourth century A.D. and come from various locations around the city of Rome. Among the most interesting of these is a marbles in laid work representing the Sun God.
Text from: www.italytraveller.com/en/r/rome/c/palazzo-massimo
For more information (in Italian): www.archeorm.arti.beniculturali.it/sar2000/Museo_romano/P...
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