Kieran Turner's photos with the keyword: natural light

I should know better than to leave a film in a camera for months before developing it. Pentax Super A, 50mm, Agfa 200 print. Oddly this is in fully auto mode with no compensation for the (my) A's natural tendency to underexpose when backlit.

Just a K750i cameraphone shot, but I like the monochrome feel. Mhairi will probably hate this, but I actually think she looks rather sophisticated ;)

The view from the end of my road. (It's the seafront in Brighton.) This is entirely natural – no filter and the only Photoshopping was the removal of a scratch – it's a scan from a lab print. The fact that the Porsche is yellow helps a lot ;) Note too the old West Pier in the background — sadly no longer with us.

Accidental but cool. The colours are real; Sussex's Meeting House by Basil Spence is a drum with wonderful 60s colours in the glass breeze-blocks which are spaced all around. The room itself is clever and can be easily transformed into a meeting space for any (or no) religion. Pretty much all I did was edge detection when trying to sharpen it a bit, and wow, what an effect. (Probably) taken with a Pentax ME-Super, 50mm on Fuji 400 print.

Brian painted a fantastic mural at the Aratta community centre in Chernihiv, Ukraine. It's based on a horse from the antique Carousel on Brighton seafront. After we'd finished and gone home, a local art teacher encouraged children to continue the theme around the other three walls of the room. The result blends perfectly and has made a grey room into an incredibly colourful, fun place. We support the centre, which runs many projects to help the victims of Chernobyl, in Ukraine. Find out about it, and support us at www.aidconvoy.net Taken with a Pentax ME-Super on Agfa 200 without flash — probably (film type from memory.)

Pentax Super A, 50mm, Agfa 200 print.