Jonathan Cohen's photos with the keyword: Marine Building

Once the tallest building in the British Empire, the Marine Building is a skyscraper located at 355 Burrard Street in Downtown Vancouver, British Columbia, Canada. This building is still, for old-timers, the building most clearly identified with Vancouver. Its unique wedding cake "icing", topped by that vaguely Mayan tower, makes a dramatic and exciting backdrop as you look west down Hastings. It is one of the great art deco buildings in the world. According to the architects, McCarter & Nairne, the building was intended to evoke "some great crag rising from the sea, clinging with sea flora and fauna, tinted in sea-green, touched with gold." Construction started in the spring of 1929 with a ceremony in keeping with the style of the building. "Yesterday morning," said a March 14 newspaper report, "His Worship Mayor W.H. Malkin blew a blast on a golden whistle and with it set in motion the steam shovel that will excavate the site for the new Burrard Street Marine skyscraper." From that first breaking of the ground to the formal opening October 7, 1930 was 16 months. And, when the Marine Building opened – with 21 floors at a height of 97.8 metres (321 feet) – Vancouver had seen nothing like it. Liveried doormen stood beneath a huge arched entrance framed in glittering polished brass to usher guests into the lobby, where they would be met by five young women in sailor suits. These would then escort visitors the short distance to the lifts, which could climb 210m a minute, a staggering performance at a time when the average was 45m. The doormen have gone now but everything else is as it was. An Art Deco flock of Canada geese, the rays of the setting sun blazing over them, still fly past a mass of intricately carved marine life – lobsters, crabs, prawns and starfish crawling over each other through a waving forest of seaweed.

SONY DSC

SONY DSC

Across the facade is a series of stylized Art Deco bas-reliefs in brass, stone, terracotta and marble depicting old planes and various other forms of transport, complemented by a frieze of waves and other maritime motifs and settings. Such themes were radical at a time when architects were still largely preoccupied with neoclassical and neo-Gothic conceits. A host of sea creatures – snails, turtles, carp, scallops, seahorses, skate – adorn every surface. Mingled with these are boats and trains (to represent the city’s status as a major port and rail terminus), stained glass which highlights the exploits of Captain George Vancouver, and a collection of aircraft, Zeppelins, cars and famous ships.