J. Gafarot's photos with the keyword: Tradition

North Country classic church. Built during the fifties.

Toalhas, Colchas e Panos de cozinha. Towels, Bedspreads, Kitchen cloths. Nappes, Couvre-lits, Torchons de cuisine.

Les hommes accompagnent les dames le long du parcours, mais ce sont elles qui doivent porter la structure au-dessus de leur tête — et elle pèse entre 15 et 18 kilos et doit être de la même taille que la personne qui la porte. The men who escort the women/girls along the route, have a simple white shirt, dark trousers, a cap over the shoulder and a tie in the color of the woman's ribbon and should help when the equilibrium is ... all along the 5 kms...of the promenade, with their Tabuleiros 15 to18 kilos heavy and the same height as the person carrying it....

A la base de chaque plateau se trouve un panier recouvert d'un tissu blanc. Au-dessus, il y a une structure qui supporte 30 pains (auxquels on attribuait des vertus miraculeuses), pesant 400 grammes chacun, et une couronne surmontée de la Croix du Christ, entrecoupée de dizaines de fleurs en papier, une allusion à la légende de la Reine Santa Isabel et du miracle des roses.

Tradition.

Santons (Provençal: "santoun," or "little saint") are small hand-painted terracotta nativity scene figurines produced in the Provence region of southeastern France. In a traditional Provençal crèche, there are 55 individual figures representing various characters from Provençal village life such as the scissors grinder, the fishwife, the blind man, and the chestnut seller. The first clay santons were created by Marseillais artisan Lagnel (1761-1822) during the French Revolution when churches were forcibly closed and their large nativity scenes prohibited. Lagnel crafted small figurines in plaster molds and let them dry before firing them. A maker of "santons" is a santonnier, and the creation of santons today is essentially a family craft, handed down from parents to children. Santons are molded in two halves, pressed together, and fused. Hats, baskets, and other accessories are applied with an adhesive. When the figure is completely dry, it is given a gelatin bath in order to harden the figure further and to provide a surface for the application of pigments. Faces are painted first, then hair, clothing, and accessories. Until the end of the 19th century, santons were air-dried rather than fired in a kiln. As a consequence, such figures were fragile and easily broken because of lack of strength. Modern santons are generally fired in a kiln. There are two types of santons: santons d'argile (clay figures), and doll-like santons habillés (clothed figures). Since 1803, santonniers have gathered in Marseille each December to display and sell their wares at the Foire des Santonniers. Aubagne Santon Fair in Marseille holds a two-day fair, Biennale de l'Art Santonnier, and the Musée du Santon in Marseille exhibits a private collection of 18th and 19th century santons.