Esther's photos with the keyword: iglesia

A portion of the ornate ceiling of the Holy Name Parish Church - West Roxbury, Massachusetts The Sunday Challenge: Leading lines AIMG 4822

A portion of the ornate ceiling of the Holy Name Parish Church - West Roxbury, Massachusetts Not the Sunday Challenge: Leading Lines AIMG 4789

Holy Name Parish Church - West Roxbury, Massachusetts AIMG 4807

Temple of the Sun (Santo Domingo), Cusco, Peru "Qurikancha (Quechua quri gold, kancha enclosure, enclosed place, yard, a frame, or wall that encloses, hispanicized spelling Coricancha), originally named Inti Kancha (Quechua inti sun) or Inti Wasi (Quechua for "sun house"), was the most important temple in the Inca Empire, dedicated primarily to Inti, the Sun God. It was one of the most revered temples of the capital city of Cusco. The walls and floors were once covered in sheets of solid gold, and its adjacent courtyard was filled with golden statues. Spanish reports tell of its opulence that was "fabulous beyond belief". When the Spanish required the Inca to raise a ransom in gold for the life of the leader Atahualpa, most of the gold was collected from Qurikancha. The Spanish colonists built the Church of Santo Domingo on the site, demolishing the temple and using its foundations for the cathedral. Construction took most of a century. This is one of numerous sites where the Spanish incorporated Inca stonework into the structure of a colonial building. Major earthquakes severely damaged the church, but the Inca stone walls, built out of huge, tightly-interlocking blocks of stone, still stand due to their sophisticated stone masonry. Nearby is an underground archaeological museum, which contains numerous interesting pieces, including mummies, textiles, and sacred idols from the site. The site now also includes the Church and Convent of Santo Domingo" en.wikipedia.org/wiki/Qurikancha AIMG 1346

Temple of the Sun (Santo Domingo), Cusco, Peru "Qurikancha (Quechua quri gold, kancha enclosure, enclosed place, yard, a frame, or wall that encloses, hispanicized spelling Coricancha), originally named Inti Kancha (Quechua inti sun) or Inti Wasi (Quechua for "sun house"), was the most important temple in the Inca Empire, dedicated primarily to Inti, the Sun God. It was one of the most revered temples of the capital city of Cusco. The walls and floors were once covered in sheets of solid gold, and its adjacent courtyard was filled with golden statues. Spanish reports tell of its opulence that was "fabulous beyond belief". When the Spanish required the Inca to raise a ransom in gold for the life of the leader Atahualpa, most of the gold was collected from Qurikancha. The Spanish colonists built the Church of Santo Domingo on the site, demolishing the temple and using its foundations for the cathedral. Construction took most of a century. This is one of numerous sites where the Spanish incorporated Inca stonework into the structure of a colonial building. Major earthquakes severely damaged the church, but the Inca stone walls, built out of huge, tightly-interlocking blocks of stone, still stand due to their sophisticated stone masonry. Nearby is an underground archaeological museum, which contains numerous interesting pieces, including mummies, textiles, and sacred idols from the site. The site now also includes the Church and Convent of Santo Domingo" en.wikipedia.org/wiki/Qurikancha AIMG 1367

Iglesia de Guapulo, Quito, Ecuador AIMG 0566

Built between 1895 and 1909, the Basilica of the National Vow (Basílica del Voto Nacional) in Quito, Ecuador is the largest neo-Gothic basilica in the Americas. AIMG 05579

Built between 1895 and 1909, the Basilica of the National Vow (Basílica del Voto Nacional) in Quito, Ecuador is the largest neo-Gothic basilica in the Americas. AIMG 0557

Santo Domingo, Quito, Ecuador dates back from 1581. AIMG 0551

Iglesia de Guapulo, Quito, Ecuador AIMG 0567

Work on the Church of the Society of Jesus (Spanish: La Iglesia de la Compañia de Jesus) in Quito, Ecuador started in 1605 and the church was completed in 1765. Unfortunate, no photographs were allowed of its intensely ornate carved interior that is covered in gold. AIMG 0535

Work on the Church of the Society of Jesus (Spanish: La Iglesia de la Compañia de Jesus) in Quito, Ecuador started in 1605 and the church was completed in 1765. Unfortunate, no photographs were allowed of its intensely ornate carved interior that is covered in gold. AIMG 0534

Santo Domingo Church, Quito, Ecuador AIMG 0502

"The Church and Monastery of St. Francis (Spanish: Iglesia y Monasterio de San Francisco), commonly known as el San Francisco, is a 16th-century Roman Catholic complex in Quito, Ecuador. It fronts onto its namesake Plaza de San Francisco. The imposing structure has the distinction of being the largest architectural ensemble among the historical structures of colonial Latin America. . . . The style evolved over almost 150 years of construction (1534-1680) through earthquakes and changes in artistic fashion. . . . Mudejar and Baroque elements bathe the nave, chapels, and high altar in an exotic golden splendour. In its nave and aisles, the Church of San Francisco reveals its Mudejar (Moorish) coffered ceilings, lavishly decorated altarpieces, and columns fashoned in different styles. In the choir — original from the end of the 16th century — Mudejar details are fully preserved, although the central nave was brought down by an earthquake and then replaced by a Baroque coffered ceiling in 1770." en.wikipedia.org/wiki/Church_and_Convent_of_St._Francis AIMG 0483

"The Church and Monastery of St. Francis (Spanish: Iglesia y Monasterio de San Francisco), commonly known as el San Francisco, is a 16th-century Roman Catholic complex in Quito, Ecuador. It fronts onto its namesake Plaza de San Francisco. The imposing structure has the distinction of being the largest architectural ensemble among the historical structures of colonial Latin America. . . . The style evolved over almost 150 years of construction (1534-1680) through earthquakes and changes in artistic fashion. . . . Mudejar and Baroque elements bathe the nave, chapels, and high altar in an exotic golden splendour. In its nave and aisles, the Church of San Francisco reveals its Mudejar (Moorish) coffered ceilings, lavishly decorated altarpieces, and columns fashoned in different styles. In the choir — original from the end of the 16th century — Mudejar details are fully preserved, although the central nave was brought down by an earthquake and then replaced by a Baroque coffered ceiling in 1770." en.wikipedia.org/wiki/Church_and_Convent_of_St._Francis AIMG 0481

"The Church and Monastery of St. Francis (Spanish: Iglesia y Monasterio de San Francisco), commonly known as el San Francisco, is a 16th-century Roman Catholic complex in Quito, Ecuador. It fronts onto its namesake Plaza de San Francisco. The imposing structure has the distinction of being the largest architectural ensemble among the historical structures of colonial Latin America. . . . The style evolved over almost 150 years of construction (1534-1680) through earthquakes and changes in artistic fashion. . . . Mudejar and Baroque elements bathe the nave, chapels, and high altar in an exotic golden splendour. In its nave and aisles, the Church of San Francisco reveals its Mudejar (Moorish) coffered ceilings, lavishly decorated altarpieces, and columns fashoned in different styles. In the choir — original from the end of the 16th century — Mudejar details are fully preserved, although the central nave was brought down by an earthquake and then replaced by a Baroque coffered ceiling in 1770." en.wikipedia.org/wiki/Church_and_Convent_of_St._Francis AIMG 0479

"The Church and Monastery of St. Francis (Spanish: Iglesia y Monasterio de San Francisco), commonly known as el San Francisco, is a 16th-century Roman Catholic complex in Quito, Ecuador. It fronts onto its namesake Plaza de San Francisco. The imposing structure has the distinction of being the largest architectural ensemble among the historical structures of colonial Latin America. . . . The style evolved over almost 150 years of construction (1534-1680) through earthquakes and changes in artistic fashion. . . . Mudejar and Baroque elements bathe the nave, chapels, and high altar in an exotic golden splendour. In its nave and aisles, the Church of San Francisco reveals its Mudejar (Moorish) coffered ceilings, lavishly decorated altarpieces, and columns fashoned in different styles. In the choir — original from the end of the 16th century — Mudejar details are fully preserved, although the central nave was brought down by an earthquake and then replaced by a Baroque coffered ceiling in 1770." en.wikipedia.org/wiki/Church_and_Convent_of_St._Francis AIMG 0475

"The Church and Monastery of St. Francis (Spanish: Iglesia y Monasterio de San Francisco), commonly known as el San Francisco, is a 16th-century Roman Catholic complex in Quito, Ecuador. It fronts onto its namesake Plaza de San Francisco. The imposing structure has the distinction of being the largest architectural ensemble among the historical structures of colonial Latin America. . . . The style evolved over almost 150 years of construction (1534-1680) through earthquakes and changes in artistic fashion. . . . Mudejar and Baroque elements bathe the nave, chapels, and high altar in an exotic golden splendour. In its nave and aisles, the Church of San Francisco reveals its Mudejar (Moorish) coffered ceilings, lavishly decorated altarpieces, and columns fashoned in different styles. In the choir — original from the end of the 16th century — Mudejar details are fully preserved, although the central nave was brought down by an earthquake and then replaced by a Baroque coffered ceiling in 1770." en.wikipedia.org/wiki/Church_and_Convent_of_St._Francis AIMG 0484