Alan Mays' photos with the keyword: gestures

A Vintage Photos Theme Park photo for the theme of tricks or treats! (any kind of Halloween photo, including costumes, masks, jack-o'-lanterns, decorations, ghosts, skeletons, haunted houses, or anything spooky, scary, or frightening; no limit—post as many Halloween photos as you'd like!) . As far as I've been able to determine, the boy in this photo is wearing a Fred Flintstone costume -- a Ben Cooper TV Hero Costume -- that dates to 1966. He's posing behind three jack-o'-lanterns. Note the flame at the top of the middle one and the used matchsticks on the floor.

An early twentieth-century postcard that could be customized with the name of any city or town.

An amusing postcard that draws upon the "Oh You Kid!" craze of 1909 for its humor. This card was a bit risqué for its time, suggesting that a husband might fool around with other women while his wife is away. The caption on the card comes from the song, " My Wife’s Gone to the Country! Hurrah! Hurrah! ,” which was one of the "Oh You Kid!" songs published as sheet music in 1909: My wife’s gone to the country, hurray! hurray! She thought it best "I need the rest" That’s why she went away She took the children with her, hurray! hurray! I love my wife, but oh, you kid! My wife’s gone away In this age of social media, it's difficult to appreciate just how popular this--nudge, nudge, wink, wink--idea of "I love my wife, but oh, you kid!" became as it circulated in print through sheet music, postcards, and newspapers. Jody Rosen, however, documents its wide-ranging influence in a fascinating article that appeared in Slate magazine. See " How a Sexed-up Viral Hit from the Summer of '09–1909–Changed American Pop Music Forever ." For some additional postcard and sheet music examples, see my Oh You Kid! and Its Variants album.

The notion that men and women could use handkerchiefs to secretly signal their romantic intentions may seem far-fetched, but that's the idea behind this "Handkerchief Flirtation" list. In fact, using hankies to flirt seems downright dangerous. You might accidentally drop your handkerchief on the floor and end up telling the wrong person, "We will be friends." Or even worse, you could draw your handkerchief across your cheek as you blow your nose, inadvertently saying, "I love you." Despite the potential for miscommunication, flirtation lists like this circulated widely in the late nineteenth and early twentieth centuries. In addition to handkerchiefs, you could supposedly also use flowers, gloves, parasols, hats, cigars, pencils, and even buggy whips and handheld fans for covert courtship. For further discussion of these secret flirting methods, see the following: Esti Brenna, From the Stacks: Victorian Courtship and the Language of the Fan , Clements Library Chronicles, June 6, 2012. "Unfortunately, the fan language--and other, similar codes like the language of the handkerchief and the language of the parasol--were largely the result of advertising campaigns meant to popularize and sell accessories. There is little evidence that the fan language was ever in widespread use, though the concept was satirized by several writers in the 18th and 19th centuries." Natasha Frost, The Victorian Cards That Explained How to Use a Book to Flirt , Atlas Obscura, March 23, 2018. A "Book Flirtation" card and other alleged flirting techniques. (Full disclosure: I'm quoted in this article, and it includes some of my calling and acquaintance cards .) Handkerchief Flirtation Drawing across the lips—Desirous of an acquaintance. Drawing across the eyes—I am sorry. Taking it by the centre—You are too willing. Dropping—We will be friends. Twisting in both hands—Indifference. Drawing across cheek—I love you. Drawing through hand—I hate you. Letting it rest on right eye—Yes. Letting it rest on left cheek—No. Twisting in the left hand—I wish to be rid of you. Twisting in the right hand—I love another. Folding it—I wish to speak with you. Over the shoulder—Follow me. Opposite corners in both hands—Wait for me. Drawing across the forehead—We are watched. Placing on the right ear—You have changed. Letting it remain on the eyes—You are cruel. Winding around forefinger—I am engaged. Winding around third finger—I am married. Putting it in the pocket—No more at present.

"To my valentine. I'm a socialist, will you be one? Free drinks, free money, free love. Ellam." Postmarked Saginaw West Side, Mich., Feb. 4, 1911, and addressed to Ward Brown, 820 North Mason, Saginaw West Side. Handwritten message: "I hope you are as I am and don't forget that day. You know and I know, and why should we forget it." Artist-signed postcard by William Ellam.

For more information, see the original photo :

A Vintage Photos Theme Park photo for the theme of "what’s that on his shoe?" or other unexpected details . In this snapshot, a woman sits for a souvenir photo in front of the giant book that's part of the High Water Mark of the Rebellion Monument on the Gettysburg Battlefield in Pennsylvania. When I purchased this photo, I noticed that there's a man on the right who's oddly standing behind the woman and near the back of the monument. I didn't think anything of it until I got home and scanned the photo. When I took a look at an enlarged version (mouse over the image above to see it), I made the unexpected discovery that the fellow was irreverently thumbing his nose as the photographer snapped the picture. Photobombing , of course, is nothing new! See below for monument photos from 1906 and 1912 as well as a recent view .

Flirtation lists like the ones printed on this card also circulated in books, newspapers, and other media in the nineteenth and twentieth centuries. These lists suggested that common objects like buggy whips and handheld fans could be used by men and women to secretly signal their romantic intentions, but the coded gestures really seem too complicated for easy communication. Flowers, handkerchiefs, gloves, parasols, hats, cigars, and pencils were other items allegedly employed for covert courting. For more on flirtation cards and acquaintance cards , see " When 'Flirtation Cards' Were All The Rage ," an article by Linton Weeks on the NPR History Dept. blog. See The Ghost Card, or the Skeleton on the Wall (below) for the other side of this card. Whip Flirtation Holding stock in left hand and lash in right—Desirous of an acquaintance. Holding the same, and placing center against the waist—I am sorry. Holding in left hand by center—Will you bathe with me? Lash in right hand, stock down—I love you. Same in left hand—I hate you. Taking in both hands by center—I love another. In center, hands crossed—We are watched. Right hand in center, left on lash—Yes. Left hand in center, right on lash—No. Butt against right eye—I am engaged. Against the left eye—I am married. Holding it with the left hand against the right shoulder—Follow me. In right hand against left shoulder—Wait for me. End in each hand, center bent down—You are cruel. Same, with center up—You are too willing. Winding lash around forefinger—Repeat your last signal. Fan Flirtation Carrying in right hand in front of face—Follow me. Carrying in left hand in front of face—I wish to be acquainted. Placing on right ear—You have changed. Twirling in left hand—I wish to get rid of you. Drawing across the forehead—We are watched. Carrying in right hand—You are too willing. Twirling in right hand—I love another. Closing—I wish to speak to you. Drawing across eyes—I am sorry. Resting on right cheek—Yes. Resting on left cheek—No. Open and shut—You are cruel. Dropping—We will be friends. Fanning slowly—I am married. Fanning quickly—I am engaged. Handle to lips—kiss me. Shut—you have changed. Open wide—Wait for me. Drawing through hand—I hate you. Drawing across cheek—I love you.

The humor of this postcard may not be evident to us today, but when it was published in the early twentieth century the poem that it refers to— Curfew Must Not Ring Tonight —was well known. It tells the story of a brave woman who prevents a bell from ringing in order to stop the planned execution of her lover (Wikipedia provides a synopsis and reprints the entire poem in case you're interested in the details). So—as the original recipient of a postcard like this would have realized—it's ludicrous to compare a woman's heroic efforts to spare her lover's life with a boy's attempt to stop the ax from turning his pet turkey into Thanksgiving dinner. To top things off, the kid's wide-eyed expression and wild gesticulations (as if he's reciting a dramatic poem!) makes the situation seem even more absurd.

"Independence Day. 101. Easter compliments of T. G. Daub, grocer." One advertising trade card, two holidays! Theodore Gustav Daub, a grocer from Easton, Pennsylvania, printed an Easter greeting on this Independence Day trade card.

"Here's a big hello from Jane Lewis at the Roosevelt Hotel, Pittsburgh."

I take it that these kids don't care much for turkey since they're thumbing their noses at this one. An odd Thanksgiving greeting posted for the Weird Vintage Postcards group.

An advertising postcard from the Lutheran Church Supply Stores, Philadelphia, Pa. Printed on the back: "Clergy Shirts in Color....Soft, comfortable, and elegantly styled, these short sleeve shirts hold their shape and color through many machine or hand washings. The new look in clerical shirts."