Alan Mays' photos with the keyword: pitchers

Three funny fellows pose facing the camera in this photograph. See also another photo with the same fellows with their backs to the camera. For more information, see the original real photo postcard , which incudes both pictures.

Three funny fellows pose with their backs to the camera in this photograph. See also another photo with the same fellows facing the camera. For more information, see the original real photo postcard , which incudes both pictures.

A Vintage Photos Theme Park photo for the theme of Rückenfigur or "back to camera" - any photo in which one or more of the subjects have their backs fully or partially facing the camera . On this real photo postcard, which combines two separate photographs, three funny fellows pose twice, first with their backs to the camera and then a second time as they face the camera. The three are sitting on a board or plank that extends between two chairs. In the first photo , all of them have bowler hats on their heads, and the guy in the middle has what looks like a picture frame hanging over his shoulder and down over his back. A stool and a wooden box with a handle are visible on the floor in front of them. The wall behind the men is partially covered by a painted backdrop, so presumably they're having their picture taken in a photo studio, though no studio name appears on the front or back of the card. In the second photo , the guys seem even goofier as they face forward with funny expressions. The man on the left has a mischievous look on his face, and he's holding a small kettle with the handle of a spoon or some other utensil sticking out of the top. The guy in the middle has opened his mouth as if he's laughing or yelling. The bowler on his head is jauntily tilted to the side, and his right hand is blurred -- was he pumping his fist or gesturing toward the basket that he's holding in his lap? And what's in the basket? The third man is grinning, probably because instead of a hat he's wearing something on his head that looks like a lampshade with ruffles. He has his arms wrapped around himself as if he's cold, and he's holding a pitcher under one arm. The undivided back (for an address only) on the other side of this real photo postcard indicates that it dates before 1907 (when both an address and a message were allowed on the verso), and the Cyko stamp box design (in use as early as 1904) printed on the back also fits this time frame.

Note the cylinder phonograph on the sideboard, the kerosene lamp on the right, and the wallpaper in the background, See also the full version of this photograph and a photo of a similar cylinder phonograph .

A Vintage Photos Theme Park photo for the monthly topic of family gatherings for Thanksgiving or other occasions . A family pauses for a photo before they dig in to their Thanksgiving dinner. Despite the turkey, pies, and other dishes on the table , my eye was drawn to the kerosene lamp hanging from the ceiling, the elaborate design of the wallpaper in the background, and the cylinder phonograph hidden in the shadows on the sideboard. See a cropped version of the photo for a better view of these items. For another photo with a similar phonograph, see Young Man Posing with an Edison Cylinder Phonograph . This is a real photo postcard with a divided back (introduced in 1907) but no stamp box, address, or message.

A Vintage Photos Theme Park photo for the theme of out in the yard or garden . Handwritten note on the other side of this snapshot: "The Lemonade Stand, .88 profit - Maine '49." Out in the yard with a couple of kids operating a profitable lemonade stand.

One in a series of baseball-themed advertising trade cards published in 1887 by Tobin, this card featured a caricature of Charlie Ferguson, who was a well-regarded pitcher for the Philadelphia Quakers team. Sadly, it turned out that 1887 was the final season that Ferguson played--he died from typhoid fever in April 1888. -------- "Philadelphia. 'Not Onto It.' (Ferguson.) Tobin N.Y." "A. W. Schrader, manufacturer of all kinds of mineral waters, also bottler of lager and porter. Private families supplied at short notice. 726 and 728 Adams Ave., Scranton, Pa. Telephone connection."

A hold it photo (people holding something) for the Vintage Photos Theme Park . Caption: "By durn, Samenthy, this beats the old pump all holler. Push jest a leetle harder and she'll be here." Sign on wall: "Hotel Astorf-Waldoria. Ring once for bell boy, twice [for] ice water, three [times for] hot water." Name on trunk: "Silas Green, Wayback, O." Printed along the sides: "The 'Perfec' Stereograph. (Trade mark.) Patented April 14, 1903. Other patents pending. H. C. White Co., Publishers. General offices and works, North Bennington, Vt., U.S.A. Copyright 1903 by H. C. White Co. 5587 (2)." This comic stereoscopic card (see the full card below) shows two country bumpkins who are visting the city and staying at the highfalutin Hotel Astorf-Waldoria (a thinly veiled reference, of course, to the Waldorf-Astoria in New York City). Unfamiliar with big-city ways and new-fangled technology, Samantha (or "Samenthy," as her husband Silas pronounces it) is pushing the call button (normally used to summon hotel staff) while Silas holds a water pitcher below the mouthpiece of the wall-mounted telephone. In their naivety, Samantha and Silas have misunderstood the sign ("Ring twice for ice water") and have mistaken the phone for a pump that will provide water once the button is pushed. In 1903, at a time when indoor plumbing and telephones were less common in rural areas, viewers of this stereographic photo could laugh at the silly antics of this foolish backwoods couple from Wayback, Ohio. Looking at the image a hundred years later, we can catch a glimpse of the different styles of clothing, wallpaper, carpet, and furniture that were popular back then, and we can also consider how the modern technology that we take for granted today--faucets with running water and mobile phones--has made the humor here obsolete.

A comic stereoscopic card. For additional information, see Silas and Samantha at the Astorf-Waldoria, 1903 .