Alan Mays' photos with the keyword: Art Gallery

"Chas. E. Marsh, International Exhibition, Fairmount Park, Philadelphia, Pa., 1876. Copyright 1876 by L. Prang & Co. Main Building, Horticultural Hall, Agricultural Hall, Art Gallery, Machinery Hall." Printed on the back: "Centennial Card. Retail price, 30 cts. per dozen." ("30" is crossed out, and "20" is written below it.) Since Charles E. Marsh's name also appears on a card in the holdings of the American Antiquarian Society that identifies him as a printer ("Chas. E. Marsh, card & job printer, business and address cards a specialty, Greenville, N.H."), it's likely that this was a sample card used to solicit customers for Marsh's printing business. He would have purchased blank copies of this card from lithographer Louis Prang 's firm and then printed individual names on them, as he did here with "Chas. E. Marsh." Although commonly called the Centennial Exposition today, the exhibition's full name when it was held in 1876 was the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine. "Nearly 10 million visitors attended the exhibition and thirty-seven countries participated in it," Wikipedia reports. The five major buildings at the exhibition—the Main Building, Horticultural Hall, Agricultural Hall, the Art Gallery (also known as Memorial Hall ), and Machinery Hall—are depicted on this card. Although Charles Marsh may have attended the exhibition, it's possible that he advertised these cards elsewhere and filled orders through the mail.

For this cabinet card back, see the full backmark illustration (above) and a detail showing the street scene in front of the photographer's gallery . -------- Although the photographer's name and address appears as "Schlickeisen, 343 Central Avenue, Jersey City, N.J.," on the front of this cabinet card, the name on the sign in the illustration on the back is spelled as "Schlickeysen" (ending in -keysen instead of -keisen). In addition, the arrangement of the street number--"343"--in the palette shapes on either side of the Art Gallery sign is curious, ending with a smaller superscript "3" that seemingly was added after the fact. Interestingly, Langdon's List of 19th & Early 20th Century Photographers provides some relevant information regarding Gustav Schlickeysen/Schlickeisen. According to Langdon, "Schlickeysen" was the spelling listed in city directories for 1888 and 1889, but during those years the photographer's address was 34 Hancock Avenue, Hoboken, New Jersey, rather than 343 Central Avenue, Jersey City, N.J. Directories for 1891, 1892, and 1893, however, indicate that "Schlickeisen" had already moved to the Central Avenue address in Hoboken. It's not clear why the spelling of Schlickeysen changed to Schlickeisen when the photographer moved from Hoboken to Jersey City. Although the new spelling appeared on the front of this cabinet card, the sign in the artwork on the back retained the old spelling. The street number, however, was updated by squeezing an extra "3" into the palette shapes to indicate the change from "34" (Hancock Avenue, Hoboken) to "343" (Central Avenue, Jersey City). If the illustration depicts the original gallery in Hoboken, however, I wonder if customers at Schlickeisen's new gallery in Jersey City were still confused by the drawing despite the updated street number. Finally, it's worth noting that a "Portrait" display case to attract potential customers is situated on the sidewalk in front of the gallery. And notice the horse-drawn tram passing by on the tracks in front of the gallery--an indication of how easy it would be to travel to the gallery.

For this cabinet card back, see the full backmark illustration and a detail showing the street scene in front of the photographer's gallery (above). -------- Although the photographer's name and address appears as "Schlickeisen, 343 Central Avenue, Jersey City, N.J.," on the front of this cabinet card, the name on the sign in the illustration on the back is spelled as "Schlickeysen" (ending in -keysen instead of -keisen). In addition, the arrangement of the street number--"343"--in the palette shapes on either side of the Art Gallery sign is curious, ending with a smaller superscript "3" that seemingly was added after the fact. Interestingly, Langdon's List of 19th & Early 20th Century Photographers provides some relevant information regarding Gustav Schlickeysen/Schlickeisen. According to Langdon, "Schlickeysen" was the spelling listed in city directories for 1888 and 1889, but during those years the photographer's address was 34 Hancock Avenue, Hoboken, New Jersey, rather than 343 Central Avenue, Jersey City, N.J. Directories for 1891, 1892, and 1893, however, indicate that "Schlickeisen" had already moved to the Central Avenue address in Hoboken. It's not clear why the spelling of Schlickeysen changed to Schlickeisen when the photographer moved from Hoboken to Jersey City. Although the new spelling appeared on the front of this cabinet card, the sign in the artwork on the back retained the old spelling. The street number, however, was updated by squeezing an extra "3" into the palette shapes to indicate the change from "34" (Hancock Avenue, Hoboken) to "343" (Central Avenue, Jersey City). If the illustration depicts the original gallery in Hoboken, however, I wonder if customers at Schlickeisen's new gallery in Jersey City were still confused by the drawing despite the updated street number. Finally, it's worth noting that a "Portrait" display case to attract potential customers is situated on the sidewalk in front of the gallery. And notice the horse-drawn tram passing by on the tracks in front of the gallery--an indication of how easy it would be to travel to the gallery.