Alan Mays' photos with the keyword: Spencerian Script
A. F. Moore, M.D., Winsted, Connecticut, ca. 1883
28 Aug 2023 |
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Dr. Arthur F. Moore (1843-1924) used this colorful leaf-shaped trade card to advertise his medical practice in Winsted, Connecticut.
Moore occasionally contributed notes about medical topics that appeared in the United States Medical Investigator (prior to 1875 the title of the periodical was simply the Medical Investigator ). Since the published pieces included his name and location, they document the different places he lived.
Notes that Moore contributed in 1872 and 1873, for instance, listed his residence as Lyons, Wisconsin. By 1877 he had moved to Sandy Hill, New York. In 1883 he was in Winsted, Connecticut, where he handed out copies of this trade card. A year later, he was in Bridgewater, Vermont, and then in 1886 he ended up in in Ludlow, Vermont.
For another leaf-shaped trade card, see The Livermore Pen, Stylographic Pen Co., Boston, Mass.
A. F. Moore, M.D.
Office in Park Place
Hours 1 to 2 & 6 to 8 P.M.
Residence
141 Main Street, Winsted, Ct.
Samuel K. Groninger
26 Dec 2020 |
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"Samuel K. Groninger. Each day, bring new pleasures!"
A Victorian-era calling card with a winter theme for Christmas.
Katydid Calling Card for E. L. Houghton
06 Apr 2020 |
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A katydid perches on the left-hand side of a Victorian-era calling card for someone named E. L. Houghton.
Irwin G. Waggener
15 Sep 2015 |
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A Victorian-era calling card with pasted-on photograph. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
Despite the variant spelling of the last name, this card may have belonged to Irwin Guy Waggoner (1882-1975), who lived in Oregon. If so--and if he actually had his photograph taken and cards printed when he was as young as he appears in the photo--then it's likely that this calling card dates to the 1880s or 1890s.
This is the only calling card with a child's photo that I've ever seen. For additional examples of photographic calling cards, see my Calling Cards with Photographs album.
Photograph Card
25 Jun 2013 |
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Charles M. Horn
20 Jul 2016 |
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M. Roy Rumrill
George H. Howland
04 Nov 2013 |
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A colorful Victorian calling card. The typeface used on the card is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
John S. Kriebel
25 Jun 2013 |
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One of five John S. Kriebel calling cards--two photographic cards ( John S. Kriebel and J. S. K. ) and three chromolithographed cards ( John S. Kriebel , John S. Kriebel, Only Thee , and John S. Kriebel, A Token of Love ).
See also John S. Kriebel, Only Thee (Detail) , which shows the embellishments on the uppercase letters of the name, including a fish at the bottom of the S and a bird on the K. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
Amos P. Jones
25 Jun 2013 |
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John S. Kriebel, Only Thee
25 Jun 2013 |
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One of five John S. Kriebel calling cards--two photographic cards ( John S. Kriebel and J. S. K. ) and three chromolithographed cards ( John S. Kriebel , John S. Kriebel, Only Thee , and John S. Kriebel, A Token of Love ).
See also John S. Kriebel, Only Thee (Detail) , which shows the embellishments on the uppercase letters of the name, including a fish at the bottom of the S and a bird on the K. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
John S. Kriebel, A Token of Love
25 Jun 2013 |
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One of five John S. Kriebel calling cards--two photographic cards ( John S. Kriebel and J. S. K. ) and three chromolithographed cards ( John S. Kriebel , John S. Kriebel, Only Thee , and John S. Kriebel, A Token of Love ).
See also John S. Kriebel, Only Thee (Detail) , which shows the embellishments on the uppercase letters of the name, including a fish at the bottom of the S and a bird on the K. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
J. S. K.
25 Jun 2013 |
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One of five John S. Kriebel calling cards--two photographic cards ( John S. Kriebel and J. S. K. ) and three chromolithographed cards ( John S. Kriebel , John S. Kriebel, Only Thee , and John S. Kriebel, A Token of Love ).
See also John S. Kriebel, Only Thee (Detail) , which shows the embellishments on the uppercase letters of the name, including a fish at the bottom of the S and a bird on the K. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
John S. Kriebel
25 Jun 2013 |
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One of five John S. Kriebel calling cards--two photographic cards ( John S. Kriebel and J. S. K. ) and three chromolithographed cards ( John S. Kriebel , John S. Kriebel, Only Thee , and John S. Kriebel, A Token of Love ).
See also John S. Kriebel, Only Thee (Detail) , which shows the embellishments on the uppercase letters of the name, including a fish at the bottom of the S and a bird on the K. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
John S. Kriebel, Only Thee (Detail)
25 Jun 2013 |
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Detail from a calling card ( John S. Kriebel, Only Thee ) showing the embellishments on the uppercase letters, which include a fish at the bottom of the S and a bird on the K. The typeface is MacKellar, Smiths & Jordan's Spencerian Script with ornamented capitals.
One of five John S. Kriebel calling cards--two photographic cards ( John S. Kriebel and J. S. K. ) and three chromolithographed cards ( John S. Kriebel , John S. Kriebel, Only Thee , and John S. Kriebel, A Token of Love ).
A. J. Clark, Calling Card with Photograph
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