Alan Mays' photos with the keyword: fireplaces

A Vintage Photos Theme Park photo for the theme of holiday happenings -- any kind of end-of-year holiday gathering, celebration, or decoration . Gold is the color of the day in this holiday scene that includes a gold Christmas tree, a gold sculpture on the wall, and gold wrapping paper and bows on the some of the presents. Even the carpet has a yellowish-almost-golden hue. There's no date on the photo. What do you think -- 1960s?

A photo for the Vintage Photos Theme Park monthly topic of something funny . A couple of funny Easter bunnies -- actually dressed up for Halloween -- pose in front of a fireplace as they hold their carrots. Printed on the back: "This is a Kodacolor print made by Kodak. November 1961 R." The November photo developing date was the first clue that these are Halloween costumes (but I'm counting them as Easter bunnies, too!). There's also a scarecrow standing on top of a pumpkin (on the right in front of the fireplace) that's obviously an autumn decoration, and it looks like there may be pumpkin and ghost figurines on the mantel. See also Quizzical Kids in Easter Costumes and more photos in my Funny Bunnies album.

One in a series of humorous "Where Women Vote" postcards published in the 1910s that demonstrated the dire consequences of giving women the right to vote. It took until 1920, when the Nineteenth Amendment to the U.S. Constitution was ratified, to ensure that all women in the United States had the right to vote. This postcard was postmarked Broad Top, Pa., May 8, 1913, on the other side and was addressed to Mr. Ralph L. Diggins, Millersville, Lanc. Co, Pa., M.S.N.S., indicating that Diggins was a student at the Millersville State Normal School in Millersville, Lancaster County, Pennsylvania, at the time. Handwritten note on the back: "Dear Brother, We are very busy. Will write you a letter on Sunday. It is very warm today. The trees are in blossom. The apple tree is white and also the cherry trees. The plums are froze. Elsie." This postcard and others from the "Where Women Vote" series are pictured in Kenneth Florey's book, American Woman Suffrage Postcards: A Study and Catalog (McFarland, 2015), pp. 344-47.

"Hallowe'en. Uncertainly. Hope. Despair. Happy ever after. Ellen H. Clapsaddle. Int. Art Pub. Co. 1909." In a Halloween posting about Pumpkins and Postcards and Portents–Oh My! , Mikaela Taylor of Middlebury College explains that the illustration on this postcard reflects a Halloween custom that involved throwing chestnuts in a fire: "Anthropomorphized nuts, paired off with the titles 'Uncertainty,' 'Hope,' 'Despair,' and 'Happy Ever After,' represent the practice of interpreting the behavior of chestnuts in a fire. Those participating would assign two chestnuts to a couple and observe whether the chestnuts burned together, jumped apart in the flame, crackled loudly, or came together. A couple was said to live a long happy life together if their corresponding chestnuts burned brightly and quietly next to each other, or their relationship would end in disaster if they crackled contentiously and popped in different directions."

"All my dreams came true." Info on the back of this postcard: "Genuine Frees Animal Series. Photographs of real live pets. No. 765. Christmas Comics. 6 designs....Publ'd by the Nyce Manufacturing Co., Vernfield, Pa." This printed postcard reproduces a photo by Harry Whittier Frees (1879-1953), who posed cats, dogs, and other animals in amusing scenes like this for magazines, books, and other publications. Mary L. Weigley's fascinating article, " Introducing Harry Whittier Frees, World-Famous Animal Photographer ," which originally appeared in Pennsylvania Heritage , Spring 2014, describes how Frees captured these images: "Frees's photographs were uncommon because he used live animals and no tricks were involved... He attired them in dresses, work uniforms, smocks, shawls, robes, and aprons made by his mother or his housekeeper Annie Edelman. The clothes were held in place by pins so the animals could be quickly dressed and undressed. They were then posed in human situations--ironing clothes, cooking on an old-fashioned cast-iron stove, hanging laundry, playing a piano, pumping water, even casting votes in a wooden ballot box! The work was challenging, time-consuming, and nerve-wracking. It caused Frees so much anxiety that he photographed his furry subjects for only three months a year." Weigley's article goes on to tell about the popularity of Frees's photos and his success in publishing books (such as Animal Mother Goose, with Characters Photographed from Life , which came out in 1921) and providing illustrations for magazines, advertisements, and picture postcards. Sadly, though, Frees died alone and ended up in an unmarked grave (check out the article for the full story). His imaginative photos, however, continue to delight us today. Here's another postcard from the "Christmas Comics" series:

Postcard addressed on the back to Earl Elliot, Douglassville, Pa., and postmarked at Douglassville, Pa., Oct. 31, 1906. The handwritten message on the front is "Greetings for the day," and the initials "L.U."--presumably those of the sender--appear in a number of places on the front, including on the wall next to the fireplace. The clock strikes midnight on Halloween as a woman gazes into a fire and children bob for apples in a wash tub and on a string. Jack-o'-lanterns form a border around the scene, and ghostly figures hover in the message box at the bottom. The woman in front of the fireplace may actually be playing a fortune-telling game involving three nuts, which she has named after three of her suitors. After placing the three nuts in the fire (I think the nuts are visible here on the top of the grate at the front of the fireplace), she watches to see how they burn. The following poem, which appeared in 1900 in The Jolly Hallowe'en Book , by Dorothy M. Shipman, p. 68, describes the practice. The Test of the Nuts I've named three nuts and placed them Side by side on the grate, The one which cracks is unfaithful, The lover I know I should hate. The one which blazes with brilliant fire, Tells of high regard, 'tis said, But the one which burns with a steady flame Names the man whom I shall wed.

An undated red-border Kodachrome slide.

A trick or treat photo for the Vintage Photos Theme Park. Handwritten note on the back of the photo: "Halloween, 1955." A little cowboy--wearing a Howdy Doody kerchief around his neck and Howdy Doody boots--poses in front of the fireplace alongside his brother, whose costume features a devilish image on the front.

An example of color photos or slides for the Vintage Photos Theme Park. A Boy Scout gives a three-finger salute while wearing his uniform as he poses for a photo in a living room with distinctive furniture and decor dating to the 1960s. The same sofa and wall decorations appear in a pre-prom photo , and the same boy appears with his sister in a Christmas photo .

"Here! Wait a moment till I check up this account and see if you've got all the things I ordered." See also Say, Mister, It's No Use You Going Down That Dirty Chimney (below).

"Halloween Greetings. Boil and bubble, toil and trouble."

An example of postage stamp collage art on a vintage postcard. This clever construction consists of used U.S. postage stamps that have been cut apart and arranged to depict a colonial interior scene that includes a grandfather clock, spinning wheel, writing table with a quill pen and inkwell, chair, fireplace, cat, and two works of art hanging on the wall. Based on the issue dates for the Warren G. Harding stamp (1925) and the Yorktown sesquicentennial stamp (1931), the collage was probably created sometime in the 1930s. Although this postcard was not postally used (there's no message, address, or postmark on the other side), the glaring hole in the middle of the Yorktown stamp suggests that it was hung on the wall at some point. For some interesting articles on stamp collages, see David A. Norris, "Vintage Stamp Collage Postcards," American Philatelist , Jan. 2012, pp. 56-58, and Russ Hahn, "Postage Stamp Collage Art," American Philatelist , Dec. 2012, pp. 1120-32 (to locate copies, Google the article citations). For another example of repurposed stamps, see Easter in Stamps :

Pipe-Smoking Man (aka Yellow Socks Guy) relaxes in front of a warm and cozy fireplace. Tasteful art-- The Half Way House, Thatcham (1848), a copy of a painting by William Shayer Sr. (1787-1879)--hangs above the mantle, an issue of Seventeen is peeking out of the magazine rack, and the same floral-print curtains that were visible in The Silence in the Room Was Deafening show up here, too. See also Pipe-Smoking Television Man . (Thanks to goenetix for identifying the painting!) For related slides, select the thumbnail images below.

"Happy New Year. J. H. Bufford's Sons, Boston, New York & Chicago."

The Ghost of Thanksgiving Past floats out of the kettle to haunt the table, only to find that everyone has fled in terror. A frightful holiday scene for the Weird Vintage Postcards group.