Alan Mays' photos with the keyword: card backs

Elbl és Pietsch, udvari fényképész, Fő utcza 18, Budapest. Approximate translation: Elbl and Pietsch, royal photographer, 18 Main Street, Budapest. Can anyone figure out the handwritten words at the bottom? Perhaps they're the names of the three women who appear on the front of this cabinet card:

A photo from Budapest for the Vintage Photos Theme Park in memory of our dear friend, Nori (see Sad News ). A mother and her two daughters posed for this cabinet card photo in the Budapest studio of Elbl and Pietsch sometime after 1897 (see below for the back of this photo). Note the girls' unique hairstyles and their fashionable dresses with enormous leg-of-mutton or gigot sleeves. The painted backdrop is somewhat indistinct but what looks like the bottom of an elaborate staircase appears on the left. The chairs are made of bamboo (or perhaps faux bamboo) and are decorated with tassels. As one girl sits in a chair holding a book, the other girl stands with one hand resting in a comforting gesture on her mother's shoulder. Her other hand is holding some flowers alongside the arm of her mother's chair. So let's remember dear Nori and cherish the treasured images she has shared with us here on Ipernity and over on Flickr . Perhaps you'll want to compare this photo with the dozen other photos and backmarks from the same studio that Nori collected in her Elbl & Pietsch album on Flickr.

Handwritten note on this CDV photo back : "Mr. & Mrs. Tom Thumb." Backmark: "Published by the New York Photographic Co., No. 453 Broadway, New York." For the photo on the front of this CDV, see Mr. and Mrs. Tom Thumb in Their Wedding Attire :

For more information, see the full version of the tintype.

"Cope, artificial fly tyer and photographer, cor. Strawberry Alley & LaFayette Street, Norristown, Pa." This is the reverse of Tintype of Girl in Plaid Dress, Norristown, Pa. (see small image below).

Tinted tinype in a CDV-sized paper mount. Mouse over the top of this image to see a close-up of the tintype . Printed on the reverse (see small image below): "Cope, artificial fly tyer and photographer, cor. Strawberry Alley & LaFayette Street, Norristown, Pa."

For this cabinet card back, see the full backmark illustration (above) and a detail showing the street scene in front of the photographer's gallery . -------- Although the photographer's name and address appears as "Schlickeisen, 343 Central Avenue, Jersey City, N.J.," on the front of this cabinet card, the name on the sign in the illustration on the back is spelled as "Schlickeysen" (ending in -keysen instead of -keisen). In addition, the arrangement of the street number--"343"--in the palette shapes on either side of the Art Gallery sign is curious, ending with a smaller superscript "3" that seemingly was added after the fact. Interestingly, Langdon's List of 19th & Early 20th Century Photographers provides some relevant information regarding Gustav Schlickeysen/Schlickeisen. According to Langdon, "Schlickeysen" was the spelling listed in city directories for 1888 and 1889, but during those years the photographer's address was 34 Hancock Avenue, Hoboken, New Jersey, rather than 343 Central Avenue, Jersey City, N.J. Directories for 1891, 1892, and 1893, however, indicate that "Schlickeisen" had already moved to the Central Avenue address in Hoboken. It's not clear why the spelling of Schlickeysen changed to Schlickeisen when the photographer moved from Hoboken to Jersey City. Although the new spelling appeared on the front of this cabinet card, the sign in the artwork on the back retained the old spelling. The street number, however, was updated by squeezing an extra "3" into the palette shapes to indicate the change from "34" (Hancock Avenue, Hoboken) to "343" (Central Avenue, Jersey City). If the illustration depicts the original gallery in Hoboken, however, I wonder if customers at Schlickeisen's new gallery in Jersey City were still confused by the drawing despite the updated street number. Finally, it's worth noting that a "Portrait" display case to attract potential customers is situated on the sidewalk in front of the gallery. And notice the horse-drawn tram passing by on the tracks in front of the gallery--an indication of how easy it would be to travel to the gallery.

"J. A. Pfeifer & Co., photographic artists, 262, 264, & 266 S. High Street, Columbus, Ohio. Pfeifer, Smith, Mulligan Bros."

"From the Cornell University Art Gallery of E. D. Evans, 74 and 76 East State St., Ithaca, N.Y."

For this cabinet card back, see the full backmark illustration and a detail showing the street scene in front of the photographer's gallery (above). -------- Although the photographer's name and address appears as "Schlickeisen, 343 Central Avenue, Jersey City, N.J.," on the front of this cabinet card, the name on the sign in the illustration on the back is spelled as "Schlickeysen" (ending in -keysen instead of -keisen). In addition, the arrangement of the street number--"343"--in the palette shapes on either side of the Art Gallery sign is curious, ending with a smaller superscript "3" that seemingly was added after the fact. Interestingly, Langdon's List of 19th & Early 20th Century Photographers provides some relevant information regarding Gustav Schlickeysen/Schlickeisen. According to Langdon, "Schlickeysen" was the spelling listed in city directories for 1888 and 1889, but during those years the photographer's address was 34 Hancock Avenue, Hoboken, New Jersey, rather than 343 Central Avenue, Jersey City, N.J. Directories for 1891, 1892, and 1893, however, indicate that "Schlickeisen" had already moved to the Central Avenue address in Hoboken. It's not clear why the spelling of Schlickeysen changed to Schlickeisen when the photographer moved from Hoboken to Jersey City. Although the new spelling appeared on the front of this cabinet card, the sign in the artwork on the back retained the old spelling. The street number, however, was updated by squeezing an extra "3" into the palette shapes to indicate the change from "34" (Hancock Avenue, Hoboken) to "343" (Central Avenue, Jersey City). If the illustration depicts the original gallery in Hoboken, however, I wonder if customers at Schlickeisen's new gallery in Jersey City were still confused by the drawing despite the updated street number. Finally, it's worth noting that a "Portrait" display case to attract potential customers is situated on the sidewalk in front of the gallery. And notice the horse-drawn tram passing by on the tracks in front of the gallery--an indication of how easy it would be to travel to the gallery.